Critters 2: The Main Course Poster Movie French 27x40

• Approx. Size: 27 x 40 Inches - 69cm x 102cm
• Size is provided by the manufacturer and may not be exact
• The Amazon image in this listing is a digital scan of the poster that you will receive
• Critters 2: The Main Course French Style A 27 x 40 Inches Poster
• Packaged with care and shipped in sturdy reinforced packing material

When two-year-old Krite eggs hatch, a new litter of bloodthirsty hairballs is unleashed.Critters 2: The Main Course reproduction poster print

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Flight of the Red Balloon

• Inspired by Albert Lamorisse'sic 1956 Academy Award®-Winning short*, Flight of the Red Balloon is the latest masterwork from director Hou Hsiao Hsien (Three Times, Millennium Mambo). Expanding on the key elements of Lamorisse's short - a young boy, a red balloon and Paris - Hou weaves the tale of a boy, Simon (Simon Iteanu) dealing with the increased fragility of his loving yet preocc

Inspired by Albert Lamorisse's classic 1956 Academy Award®-Winning short*, Flight of the Red Balloon is the latest masterwork from director Hou Hsiao Hsien (Three Times, Millennium Mambo). Expanding on the key elements of Lamorisse's short - a young boy, a red balloon and Paris - Hou weaves the tale of a boy, Simon (Simon Iteanu) dealing with the increased fragility of his loving yet preoccupied mother, Suzanne (Academy Award® - Winner Juliette Binoche** of The English Patient, Caché). When a Taiwanese film ! student, Song (Fang Song), is hired to help care for Simon, a unique extended family is formed - utterly dependent on each other yet lost in separate dreams mirrored by a delicate, shiny red balloon.

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Co-Conspirator Reading Glasses by Eyebobs -Tortoise with Lime Temples, +2.25

• 100% UV protection
• Aspheric lenses
• Spring hinges
• Frame: 5 1/4" wide, Lens: 2" wide x 1" deep, Metric: 51-17mm
• Free Case and Cleaning Cloth Included with Every Pair

First in a brand-new Foreigner trilogy

Cajeiri is the young son of the powerful leader of the Western Association-and he has become a target for forces bent on destroying his father's rule. For Cajeiri is the first ateva to understand the humans living among them-an understanding that threatens his own race.First in a brand-new Foreigner trilogy

Cajeiri is the young son of the powerful leader of the Western Association-and he has become a target for forces bent on destroying his father's rule. For Cajeiri is the first ateva to understand the humans living among them-an understanding that threatens his own race.First in a brand-new Fore! igner trilogy

Cajeiri is the young son of the powerful leader of the Western Association-and he has become a target for forces bent on destroying his father's rule. For Cajeiri is the first ateva to understand the humans living among them-an understanding that threatens his own race.In the wake of Abraham Lincoln’s assassination, seven men and one woman are arrested and charged with conspiring to kill the President, Vice President, and Secretary of State. The lone woman charged, Mary Surratt (Robin Wright), 42, owns a boarding house where John Wilkes Booth (Toby Kebbell), 26, and others met and planned the simultaneous attacks. Against the ominous backdrop of post-Civil War Washington, newly-minted lawyer Frederick Aiken (James McAvoy), a 28-year-old Union war ero, reluctantly agrees to defend Surratt before a military tribunal. Aiken realizes his client may be innocent and that she is being used as bait and hostage in order to capture the only con! spirator to have escaped a massive manhunt, her own son, John ! (Johnny Simmons). As the nation turns against her, Surratt is forced to rely on Aiken to uncover the truth and save her life. From director Robert Redford, The Conspirator is a riveting thriller that tells a powerful story about America then and now.If there's a theme running through Robert Redford's directorial career, it's the drive for social justice. When even one person receives unfair treatment, everyone suffers (like the family in his Oscar-winning Ordinary People). Even school kids are familiar with the fate of Abraham Lincoln, but the ensuing trial has received less attention--and perfectly illustrates Redford's concerns. After the assassination, John Wilkes Booth (Toby Kebbell) met his maker, leaving his coconspirators to answer for their attempts on the lives of the president, vice president, and secretary of state. Senator Johnson (Tom Wilkinson) charges Civil War general-turned-attorney Frederick Aiken (James McAvoy) with the defense of Mary Surratt (Robin! Wright), who ran the boarding house in which the men, including her missing son (Johnny Simmons), used to meet. Though no evidence links Mary to their crimes, judge advocate Joseph Holt (Danny Huston) believes justice should trump fairness, stating, "At times of war, the law falls silent." Though Aiken assumes that his Southern client would welcome revenge against the Union, he aims to represent her fairly, even if that means appealing to a jury of Northerners and dealing with unreliable witnesses. A man of principle, he gives it his all, even convincing Mary's daughter (Evan Rachel Wood) to testify to facts her mother would prefer to keep private. The outcome would lead to legal reforms that are with us today, making for a film with contemporary relevance that remains, nonetheless, somewhat dramatically inert. As a plea for equal protection, however, it's quite affecting. --Kathleen C. FennessyOriginal soundtrack to the 2011 film composed by Mark Isham. The Conspir! ator is the fourth collaboration between Isham and director Ro! bert Red ford.uncommonAs Featured by Oprah! These Co-Conspirator reading glasses offer style and sass! Their classic tortoise fronts and unexpected lime temples team up to deliver style excellence. The frames are made from imported Italian materials, and the spring hinges make them comfortable to wear. They offer UV protection, and are available in powers from +100 to +300.

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Away From Her : Widescreen Edition

• Widescreen

Married for almost 50 years, Grant's (Gordon Pinsent) and Fiona's (Julie Christie) commitment to each other appears unwavering. Their daily life is filled with tenderness and humor; yet this serenity is broken by Fiona's increasingly evident memory loss - and her restrained references to a past betrayal. For a while, the couple is able to casually dismiss these unwelcome changes. But when neither Fiona nor her husband can deny any longer that she is being consumed by Alzheimer's disease, the couple is forced to wrenchingly redefine the limits of their love and loyalty - and face the complex, inevitable transition from lovers to strangers."I'm going," says a lovely, understated Julie Christie, in a heart-wrenching moment of recognition that Alzheimer's is slowly descending on her. "But I'm not gone." Away from Her, the directorial debut of young Canadian actress Sarah Polle! y, allows two themes--the growth of love, and the limits of the mind--to intertwine, uplift, fall, and rise again, throughout its arc. What should be relentlessly depressing is instead a film of great courage, humor, defiance--and a quality that Christie's character, Fiona, calls out in another defining moment: grace.

Away from Her chronicles a love story between Fiona and her longtime husband, Grant, played with bearlike stolidity by Gordon Pinsett, as the couple struggle with the onset and acceleration of Fiona's Alzheimer's disease. Moments of lucidity and wry observation pepper Fiona's decline, and Christie gives an unforgettable performance as a woman who is both ordinary and singular to those whom she's touched. The story is set against a frigid Canadian winter, with fields of snow as a background underscoring the bleakness of Fiona's diagnosis; yet life is constant and surprising, in the call of a meadowlark or the resurrected memory of a skunk lily. A sc! ene of Fiona out for her daily cross-country ski shows Christi! e's gorg eous, sensual face in closeup against the snow, framed by a babushka, reminding the viewer of a similar scene of the decades-younger Christie in Dr. Zhivago. It's impossible not to be touched by the gifts of this extraordinary actress, through the life of this everywoman, whose very presence is shot through with grace. --A.T Hurleydvd

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Thor (Two-Disc Blu-ray/DVD Combo + Digital Copy)

• Thor Blueray Used Movie

Raised by her father (Eric Bana), an ex-CIA agent, in the wilds of Finland, Hanna's upbringing and training have been one and the same, all geared to making her the perfect assassin. The turning point in her adolescence is a sharp one. Sent into the world by her father on a mission, Hanna journeys stealthily across Europe, eluding agents dispatched after her by a ruthless intelligence operative with secrets of her own (Cate Blanchett). As she nears her ultimate target, Hanna faces startling revelations about her existence.Hanna has the plot of a Hollywood action blockbuster but the style of a European art movie--and this unholy hybrid is fascinating to watch. Hanna (Saoirse Ronan, The Lovely Bones) has been raised by her father (Eric Bana, Munich), an ex-covert agent, for one purpose: to murder the American agent, Marissa Wiegler (Cate Blanchett), ! who murdered Hanna's mother. Hanna thinks she succeeds and escapes, but she's actually being followed by Wiegler, who will go to any lengths to exterminate the girl. Hanna could have been little more than a tween reboot of La Femme Nikita, but in the hands of director Joe Wright (Atonement, Pride & Prejudice) the movie spends as much time on Hanna's budding relationship with a girl on holiday in Morocco as it does on Hanna's capacity to kill. Even the action scenes have atypical rhythms (and one violent sequence occurs in a long, sustained shot that will make film geeks squeal with glee). Hanna is visually sumptuous, emotionally delicate, and completely unlike any other action flick you'll see. The ending goes flat as disappointingly banal plot mechanics take hold, but up until then, Hanna combines genuine thrills, unexpected complexity of character, and an unusual electronica soundtrack into an enthralling film. --Bret FetzerRaised by her father (Eric Bana), an ex-CIA agent, in the wil! ds of Fi nland, Hanna's upbringing and training have been one and the same, all geared to making her the perfect assassin. The turning point in her adolescence is a sharp one. Sent into the world by her father on a mission, Hanna journeys stealthily across Europe, eluding agents dispatched after her by a ruthless intelligence operative with secrets of her own (Cate Blanchett). As she nears her ultimate target, Hanna faces startling revelations about her existence.Hanna has the plot of a Hollywood action blockbuster but the style of a European art movie--and this unholy hybrid is fascinating to watch. Hanna (Saoirse Ronan, The Lovely Bones) has been raised by her father (Eric Bana, Munich), an ex-covert agent, for one purpose: to murder the American agent, Marissa Wiegler (Cate Blanchett), who murdered Hanna's mother. Hanna thinks she succeeds and escapes, but she's actually being followed by Wiegler, who will go to any lengths to exterminate the girl. Hanna could have been little more than a tween reboot of La Femme Nikita, but in the hands of director Joe Wright (Atonement, Pride & Prejudice) the movie spends as much time on Hanna's budding relationship with a girl on holiday in Morocco as it does on Hanna's capacity to kill. Even the action scenes have atypical rhythms (and one violent sequence occurs in a long, sustained shot that will make film geeks squeal with glee). Hanna is visually sumptuous, emotionally delicate, and completely unlike any other action flick you'll see. The ending goes flat as disappointingly banal plot mechanics take hold, but up until then, Hanna combines genuine thrills, unexpected complexity of character, and an unusual electronica soundtrack into an enthralling film. --Bret FetzerThe epic adventure Thor spans the Marvel universe from present-day Earth to the cosmic realm of Asgard. At the center of the story is The Mighty Thor, a powerful but a! rrogant warrior whose reckless actions reignite an ancient war! . As a r esult, Thor is banished to Earth where he is forced to live among humans. When the most dangerous villain of his world sends its darkest forces to invade Earth, Thor learns what it takes to be a true hero.Of all the folks in long underwear to be tapped for superhero films, Thor would seem to be the most problematic to properly pull off. (Hypothetical Hollywood conversation: "A guy in a tricked-out, easily merchandisable metal suit? Great! An Asgardian God of Thunder who says stuff like thee and thou? Um, is Moon Knight available?") Thankfully, the resulting film does its source material rather proud, via a committed cast and an approach that doesn't shy away from the over-the-top superheroics. When you're dealing with a flying guy wielding a huge hammer, gritty realism can be overrated, really. Blending elements from the celebrated comic arcs by Walter Simonson and J. Michael Straczynski, the story follows the headstrong Thunder God (Chris Hemsworth) as he is b! anished to Earth and stripped of his powers by his father Odin (Anthony Hopkins) after inadvertently starting a war with a planet of ticked-off Frost Giants. As his traitorous brother Loki (the terrific Tom Hiddleston) schemes in the wings, Thor must redeem himself and save the universe, with the aid of a beautiful scientist (Natalie Portman). Although director Kenneth Branagh certainly doesn't skimp on the in-jokes and fan-pleasing continuity references (be prepared to stick around after the credits, Marvel fans), his film distinguishes itself by adopting a larger-than-life cosmic Shakespearean air that sets itself apart from both the cerebral, grounded style made fashionable by The Dark Knight and the loose-limbed Rat Packish vibe of the Iron Man series. Glorying in the absolute unreality of its premise, Branagh's film is a swooping, Jack Kirby-inspired saga that brings the big-budget grins on a consistent basis, as well as tying in with the superhero battle! royale The Avengers. --Andrew Wright

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