Emperor Penguin Chicks Boxed Christmas Cards, 12 Cards

• Inside greeting: Season's Greetings
• 12 full color 4.75 x 6.75 inch christmas cards with 13 envelopes
• A portion of the proceeds from these holiday cards supports the Sierra Club
• Printed on recycled paper with soy based inks

A teacher at an all-boys prep school makes a rebellious student his main focus.
Genre: Feature Film-Drama
Rating: PG13
Release Date: 21-JUN-2005
Media Type: DVDComparisons to Dead Poets Society are inevitable, but The Emperor's Club achieves a rich identity all its own. In the honorable tradition of great teacher dramas like Goodbye, Mr. Chips, Kevin Kline is well cast as Mr. Hundert, longtime teacher of classics and assistant headmaster of St. Benedict's Academy for Boys. There he encounters a defiant student and senator's son (Emile Hirsch) who desperately needs--but ultimately rejects--H! undert's lessons on leadership, integrity, and the shaping of character. Adapted from Ethan Canin's short story "The Palace Thief," the film is conventional to a fault, its flashback structure unfolding in Hollywood shorthand. But its noble sentiments remain potently intact, allowing Kline a performance of great emotional nuance while imparting lessons of universal value. "This is a story with no surprises," as Hundert says, but The Emperor's Club may surprise you with its admirable portrait of a life well lived. --Jeff ShannonBased upon Ethan Canin's short story "The Palace Thief," this movie stars Oscar®-winner Kevin Kline as William Hundert, a passionate and disciplined classics professor who finds his tightly-controlled world altered when a new student challenges his principles, resulting in a life lesson that will still haunt him 25 years later. Directed by Michael Hoffman, the film stars Kevin Kline, Steven Culp, Embeth Davidtz, Patrick Dempsey, Joel Gr! etsch, Edward Herrmann, Emile Hirsch, Rob Morrow, and Harris Y! ulin. In the Newmarket Shooting Script® format, this book includes the complete screenplay, movie stills, production notes, and cast and crew credits. 25 b/w photos.Barbie and Kira are in the beautiful Japanese city of Kyoto, making a movie about the ancient tea ceremony. But when mysterious messages appear, Barbie must piece together the clues and mend an old family feud. The best part, for Barbie, about solving a mystery is getting the chance to help others!!This is the most talked about fiction debut in years: a large, suspense-laden thriller that is also a novel of brilliantly astute social observation focusing on two fascinating worlds: that of the New York-Washington black upper middle class, and the complex world of an Ivy League law school. Judge Oliver Garland has just died in suspicious circumstances. Conservative and famously controversial, Garland has made many enemies. Many years ago, he'd earned a judge's highest prize: a Supreme Court nomination. But in a scene of bi! tter humiliation in front of a televised audience and before the eyes of his family, he had to withdraw his nomination. It was a national scandal, and a private agony, one from which he never recovered. Now, years later, the judge's death raises even more questions than his life did and seems to be leading to a second, even more terrible scandal. Could he have been murdered? He has left a strange message for his son Talcott, a professor at an elite Ivy League law school - entrusting him with 'the arrangements' - a mysterious puzzle that only Tal can unlock, and only by unearthing the ambiguities of his father's turbulent past. When another man is found dead, and then another, Talcott must risk life, marriage and reputation, following the clues his father left him. Intricate, superbly written, often scathingly funny, "The Emperor of Ocean Park" is a triumphant work of fiction, a brilliantly crafted tapestry of ambition, family secrets, murder, and justice gone terribly wron! g.A complex, smart mystery filled with intrigue, drama, and mo! re than a little danger awaits in Stephen L. Carter's engaging debut novel, The Emperor of Ocean Park. After the funeral of his powerful father (a federal judge whose nomination to the U.S. Supreme Court became a public scandal), Talcott Garland, an African American law professor at an Ivy League university, is left to unravel the meaning of a cryptic note and carry out "the arrangements" his father left behind. Armed with fortitude and familial devotion--though paranoid of his wife's fidelity--Talcott soon finds himself in an investigation that entangles him with a number of questionable Washington, D.C., denizens, including attorneys and government officials, law professors, the FBI, shady underworld figures, chess masters, and friends and family. All the while Talcott tries not to hurt his attorney wife's chance for a judicial nomination--and their fragile marriage--but the closer he comes to unraveling his father's dark secrets, the more dangerous things be! come.

Clocking in at over 650 pages, the novel could easily have been streamlined; many of Talcott's thoughts are unnecessarily repeated. But Carter's storytelling skills are adept: tension builds, surprises are genuine, clues are not handed out freely. The prose, while somewhat meandering, can be crisp and insightful, as demonstrated in Carter's description of the misguided paths of young attorneys who sacrifice

all on the altar of career... at last arriving... at their cherished career goals, partnerships, professorships, judgeships, whatever kind of ships they dream of sailing, and then looking around at the angry, empty waters and realizing that they have arrived with nothing, absolutely nothing, and wondering what to do with the rest of their wretched lives.

--Michael Ferch Comparisons to Dead Poets Society are inevitable, but The Emperor's Club achieves a rich identity all its own. In the honorable trad! ition of great teacher dramas like Goodbye, Mr. Chips, ! Kevin Kl ine is well cast as Mr. Hundert, longtime teacher of classics and assistant headmaster of St. Benedict's Academy for Boys. There he encounters a defiant student and senator's son (Emile Hirsch) who desperately needs--but ultimately rejects--Hundert's lessons on leadership, integrity, and the shaping of character. Adapted from Ethan Canin's short story "The Palace Thief," the film is conventional to a fault, its flashback structure unfolding in Hollywood shorthand. But its noble sentiments remain potently intact, allowing Kline a performance of great emotional nuance while imparting lessons of universal value. "This is a story with no surprises," as Hundert says, but The Emperor's Club may surprise you with its admirable portrait of a life well lived. --Jeff ShannonA teacher at an all-boys prep school makes a rebellious student his main focus.
Genre: Feature Film-Drama
Rating: PG13
Release Date: 21-JUN-2005
Media Type: DVD! Comparisons to Dead Poets Society are inevitable, but The Emperor's Club achieves a rich identity all its own. In the honorable tradition of great teacher dramas like Goodbye, Mr. Chips, Kevin Kline is well cast as Mr. Hundert, longtime teacher of classics and assistant headmaster of St. Benedict's Academy for Boys. There he encounters a defiant student and senator's son (Emile Hirsch) who desperately needs--but ultimately rejects--Hundert's lessons on leadership, integrity, and the shaping of character. Adapted from Ethan Canin's short story "The Palace Thief," the film is conventional to a fault, its flashback structure unfolding in Hollywood shorthand. But its noble sentiments remain potently intact, allowing Kline a performance of great emotional nuance while imparting lessons of universal value. "This is a story with no surprises," as Hundert says, but The Emperor's Club may surprise you with its admirable portrait of a life well lived. -! -Jeff ShannonPhotograph by Daisy Gilardini. A portion of t! he proce eds from the sale of this product supports the Sierra Club. Inside message is Season's Greetings. Includes 12 cards and 13 envelopes.

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Dragon Hunters

• DRAGON HUNTERS - DVD (DVD MOVIE)

When the peaceful inhabitants of the beautiful planet Terra come under attack from the last surviving members of humanity adrift in an aging spaceship, the stage is set for an all-out war between the two species for control of the planet. But will an unlikely friendship between a rebellious young Terrian (voiced by Evan Rachel Wood) and an injured human pilot (Luke Wilson) somehow convince their leaders that war is not the answer?Earthlings are the bad guys in this animated saga, which was released to theaters in 3-D. And the good guys? That would be the Terrans, big-eyed little tadpole creatures whose planet is about to be invaded by human beings in search of a permanent living space--and hey, if the atmosphere of this alien planet isn't exactly fit for humans, the visitors can always blast the place with an oxygen-producing terra-forming machine that will ma! ke it habitable. The only collateral damage is that the natives will be killed off. Huh? As you can see, the allegorical undertones here are, well, overtones, all of which might seem less heavy-handed if the story were absorbing and the characters were compelling, but director Aristomenis Tsirbas concentrates on the environmental message and the non-show-offy 3D design. We mostly follow a Terran (voiced by Evan Rachel Wood) who comes upon a lone astronaut (Luke Wilson), much to the confusion of her Terran quasi-boyfriend (Justin Long). In the absence of a lot of plot excitement, kids might take some enjoyment in the nerdy declarations of a cute robot (David Cross). Can the brutal intentions of the invading general (Brian Cox) be stopped in time to save Terra? Will you still be awake to learn the answer? --Robert Horton


Stills from Battle for Terra (Click for larger image) When the peaceful inhabitants of the beautiful planet Terra come under attack from the last surviving members of humanity adrift in an aging spaceship, the stage is set for an all-out war between the two species for control of the planet. But will an unlikely friendship between a rebellious young Terrian (voiced by Evan Rachel Wood) and an injured human pilot (Luke Wilson) somehow convince their leaders that war is not the answer?Earthlings are the bad guys in this animated saga, which was released to theaters in 3-D. And the good guys? That would be the Terrans, big-eyed little tadpole creatures whose planet is about to be invaded by human beings in search of a permanent living space--and hey, if the atmosphere of this alien planet isn't exactly fit for humans, the visitors can always blast the place with an oxygen-producing terra-forming machine that will make it habitable. The only collateral damage is ! that the natives will be killed off. Huh? As you can see, the ! allegori cal undertones here are, well, overtones, all of which might seem less heavy-handed if the story were absorbing and the characters were compelling, but director Aristomenis Tsirbas concentrates on the environmental message and the non-show-offy 3D design. We mostly follow a Terran (voiced by Evan Rachel Wood) who comes upon a lone astronaut (Luke Wilson), much to the confusion of her Terran quasi-boyfriend (Justin Long). In the absence of a lot of plot excitement, kids might take some enjoyment in the nerdy declarations of a cute robot (David Cross). Can the brutal intentions of the invading general (Brian Cox) be stopped in time to save Terra? Will you still be awake to learn the answer? --Robert Horton


Stills from Battle for Terra(Click for larger image) KAENA:PROPHECY - DVD MovieOriginally a co! mputer-g enerated, animated feature presented in 3-D, the French-American Kaena: The Prophecy still looks eye-poppingly spectacular in a regular, two-dimensional format. The post-apocalyptic tale concerns an adventurous young woman, Kaena (voiced in English by Kirsten Dunst), who is a member of a race--one of many--that inhabit an enormous tree called the Axis, rising 100 miles from Earth's surface. While her people's leader, Opaz (Richard Harris), insists his tribe's sole purpose is collecting sap and honoring the gods who provide sustenance, Kaena is more interested in exploring. Signs that the Axis might be dying sends Kaena on a mission to find out why; along the way she encounters a slavemaster race, the Selenites, and their vicious queen (Anjelica Huston). Fantastic to look at, Kaena: The Prophecy is graphically dense, constantly moving, and truly inventive when it comes to designing creatures that appear equal parts vegetable and animal. --Tom KeoghEarth b! asked in the glow of a new interstellar age, saved from enslavement to the insectoid biofabs by the dramatic arrival of the Kronarin fleet. Laden with honors and riches, John Harrison, hero of the Biofab War, can finally live the good life--or can he?

Unknown to the Alliance, renegade biofabs escaped to an alternate universe where under their brilliant Tactics Master they're breeding back to strength, readying a counter-strike against the people of both universes.

Catapulted into a twisted image of his world, Harrison must find the biofabs' nest and take it out before a new generation hatches. It won't be easy--the biofabs have found deadly allies. And in this version of Earth, Harrison's a rebel on the run from the Fourth Reich. (2010 revision of 1986 Tor Books edition. 56,000 words.)

The Battle for Terra Two is one of four novels that begins with a covert alien attempt to control Earth, ending with the battered forces of Ga! lactic humanity battling impossible odds as an AI armada sweep! s into o ur galaxy for its long-overdue reckoning with humanity. (AIs--Artificial Intelligences--cyborgs evolved over vast time from simpler machines to complex beings driven by the simple need to kill us all.)  

All the books follow the crew of the Kronarin Fleet dreadnought Implacable and their Terran allies from the discovery of biofabs on Earth through ever-growing confrontations and diabolical alien machinations to the final battle. The plot line is akin to a nesting doll, each crisis spawning an even deadlier one. The blaster fire never stops--save for the occasional soothing cup of t'ata from Implacable's dodgy beveragers. (Implacable's a resurrected Imperial warship that sometimes chaffs at having been awakened and pressed into the service of such rude hands. It preferred its Imperial masters.)

To be bested along the way are space pirates, Terra Two's last proconsul, mindslavers, various machine intelligences, a vile al! ternate Earth, the undying hand of the dead Kronarin Empire, a ubiquitous insectoid-blonde and of course, biofabs. All stirred into a rich bouillabaisse of an adventure that takes the reader on a far flung quest into the fantastic, but where in the end the old verities of honesty, valor and fellowship trump all.

From The Battle for Terra Two:
"I have a theory about the Empire," said Bill as the decks flashed by. "More whimsy than theory.  It never died. It's out there somewhere, manipulating us, the Kronarins, the Scotar, those killer machines--God only knows what else. All for some esoteric and rotten end. It's cold, malevolent, immortal and hopelessly mad. Evil."

This was worse, John thought, stumbling over a helmet. Something out of Goya, the young dead tormented faces staring sightlessly, throats ripped out, necks broken, holes you could put your fist through. And everywhere the stench of burnt flesh and clouds of flies come to feast.E! arth basked in the glow of a new interstellar age, saved from ! enslavem ent to the insectoid biofabs by the dramatic arrival of the Kronarin fleet. Laden with honors and riches, John Harrison, hero of the Biofab War, can finally live the good life--or can he?

Unknown to the Alliance, renegade biofabs escaped to an alternate universe where under their brilliant Tactics Master they're breeding back to strength, readying a counter-strike against the people of both universes.

Catapulted into a twisted image of his world, Harrison must find the biofabs' nest and take it out before a new generation hatches. It won't be easy--the biofabs have found deadly allies. And in this version of Earth, Harrison's a rebel on the run from the Fourth Reich. (2010 revision of 1986 Tor Books edition. 56,000 words.)

The Battle for Terra Two is one of four novels that begins with a covert alien attempt to control Earth, ending with the battered forces of Galactic humanity battling impossible odds as an AI armada sweeps into our gala! xy for its long-overdue reckoning with humanity. (AIs--Artificial Intelligences--cyborgs evolved over vast time from simpler machines to complex beings driven by the simple need to kill us all.)  

All the books follow the crew of the Kronarin Fleet dreadnought Implacable and their Terran allies from the discovery of biofabs on Earth through ever-growing confrontations and diabolical alien machinations to the final battle. The plot line is akin to a nesting doll, each crisis spawning an even deadlier one. The blaster fire never stops--save for the occasional soothing cup of t'ata from Implacable's dodgy beveragers. (Implacable's a resurrected Imperial warship that sometimes chaffs at having been awakened and pressed into the service of such rude hands. It preferred its Imperial masters.)

To be bested along the way are space pirates, Terra Two's last proconsul, mindslavers, various machine intelligences, a vile alternate Earth,! the undying hand of the dead Kronarin Empire, a ubiquitous in! sectoid- blonde and of course, biofabs. All stirred into a rich bouillabaisse of an adventure that takes the reader on a far flung quest into the fantastic, but where in the end the old verities of honesty, valor and fellowship trump all.

From The Battle for Terra Two:
"I have a theory about the Empire," said Bill as the decks flashed by. "More whimsy than theory.  It never died. It's out there somewhere, manipulating us, the Kronarins, the Scotar, those killer machines--God only knows what else. All for some esoteric and rotten end. It's cold, malevolent, immortal and hopelessly mad. Evil."

This was worse, John thought, stumbling over a helmet. Something out of Goya, the young dead tormented faces staring sightlessly, throats ripped out, necks broken, holes you could put your fist through. And everywhere the stench of burnt flesh and clouds of flies come to feast.Zoe is a little girl who believes in fairy tales. In order to help her uncle Lord Arnold get rid! of a terrible dragon, Zoe decides she has to find some heroes. When she meets Gwizdo and Lian-Chu, a couple of two-bit, fly-by-night dragon hunters, she decides that she s going to believe in them and set out on an adventure to bring peace to the land.

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Go Game with Wood Board

• Wood game board with felted corners underneath
• 11 3/4" x 11 3/4" board
• Go stones included
• Instruction book with clear instructions included

Wood game board with felted corners underneath. Includes "Go" stones and instructions. 11 3/4" X 11 1/4" board.Go is probably one of the world's most intimidating games, one which conjures up images of players gleefully setting out for blood as they devise militaristic board moves. This complex exercise in strategy originated some 4,000 years ago in the East and has no direct Western counterpart. The game's playing surface is divided into 361 intersections. Players place stones on the corners of the squares, and the object is to surround the stones of their opponents. This edition's wooden game board is heavy, durable, and has an elegant blond veneer. The plastic stones are less impressive. The set comes with a first-rate! rule book: filled with diagrams, examples, and a useful recap section midway through the instructions, it'll make any novice good to Go. --Tony Mason

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Snapdragon

• Actors: Steven Bauer, Chelsea Field, Pamela Anderson, Matt McCoy, Kenneth Tigar.
• Format: Closed-captioned, Color, DVD, NTSC.
• Language: English.
• Region: Region 1 (U.S. and Canada only).
• Rated R. Run Time: 98 minutes.

BARB WIRE - DVD MovieRemember the old days, when Pamela Anderson Lee was still just a Playboy Playmate turned Baywatch babe? You know--back before the bootleg release of her infamous home video with then-husband and ne'er-do-well rocker Tommy Lee, at which time the whole world got to compare Pam's barely adequate acting chops with her formidable skill at fellatio? Yes, those were the days (1996, to be exact), when a movie like Barb Wire represented dubious progress for the busty blonde, who was determined to make as big a splash on the big-screen as she did in the world's most popular syndicated TV series. Set in the year 2017 when the! Second Civil War is in full force, this sci-fi action thriller stars Pam in the title role--a leather-clad biker babe ("don't call me babe," she warns) who runs a nightclub in the last free city in America. The rest of country is controlled by the "Congressional Directorate," a dictatorial superpower which suspects Barb of trafficking in black-market contraband. That gets her into plenty of trouble (and a lot of cleavage-revealing costumes), and ... well, if any of this sounds even vaguely familiar, it's because this comic book-inspired movie is really just a shamelessly breast-enhanced variation on Casablanca, with Pam Anderson in the Bogart role. Taken for what it is, it's a brazen folly with action to spare, and as guilty pleasures go it's surprisingly enjoyable. What--you were expecting Oscar material? --Jeff Shannon Studio: Uni Dist Corp. (mca) Release Date: 02/08/2011 Run time: 99 minutes Rating: RRemember the old days, when Pamela Anderson Lee was s! till just a Playboy Playmate turned Baywatch babe? You ! know--ba ck before the bootleg release of her infamous home video with then-husband and ne'er-do-well rocker Tommy Lee, at which time the whole world got to compare Pam's barely adequate acting chops with her formidable skill at fellatio? Yes, those were the days (1996, to be exact), when a movie like Barb Wire represented dubious progress for the busty blonde, who was determined to make as big a splash on the big-screen as she did in the world's most popular syndicated TV series. Set in the year 2017 when the Second Civil War is in full force, this sci-fi action thriller stars Pam in the title role--a leather-clad biker babe ("don't call me babe," she warns) who runs a nightclub in the last free city in America. The rest of country is controlled by the "Congressional Directorate," a dictatorial superpower which suspects Barb of trafficking in black-market contraband. That gets her into plenty of trouble (and a lot of cleavage-revealing costumes), and ... well, if any of this ! sounds even vaguely familiar, it's because this comic book-inspired movie is really just a shamelessly breast-enhanced variation on Casablanca, with Pam Anderson in the Bogart role. Taken for what it is, it's a brazen folly with action to spare, and as guilty pleasures go it's surprisingly enjoyable. What--you were expecting Oscar material? --Jeff Shannon Remember the old days, when Pamela Anderson Lee was still just a Playboy Playmate turned Baywatch babe? You know--back before the bootleg release of her infamous home video with then-husband and ne'er-do-well rocker Tommy Lee, at which time the whole world got to compare Pam's barely adequate acting chops with her formidable skill at fellatio? Yes, those were the days (1996, to be exact), when a movie like Barb Wire represented dubious progress for the busty blonde, who was determined to make as big a splash on the big-screen as she did in the world's most popular syndicated TV series. Set in th! e year 2017 when the Second Civil War is in full force, this s! ci-fi ac tion thriller stars Pam in the title role--a leather-clad biker babe ("don't call me babe," she warns) who runs a nightclub in the last free city in America. The rest of country is controlled by the "Congressional Directorate," a dictatorial superpower which suspects Barb of trafficking in black-market contraband. That gets her into plenty of trouble (and a lot of cleavage-revealing costumes), and ... well, if any of this sounds even vaguely familiar, it's because this comic book-inspired movie is really just a shamelessly breast-enhanced variation on Casablanca, with Pam Anderson in the Bogart role. Taken for what it is, it's a brazen folly with action to spare, and as guilty pleasures go it's surprisingly enjoyable. What--you were expecting Oscar material? --Jeff Shannon Remember the old days, when Pamela Anderson Lee was still just a Playboy Playmate turned Baywatch babe? You know--back before the bootleg release of her infamous home video with then-h! usband and ne'er-do-well rocker Tommy Lee, at which time the whole world got to compare Pam's barely adequate acting chops with her formidable skill at fellatio? Yes, those were the days (1996, to be exact), when a movie like Barb Wire represented dubious progress for the busty blonde, who was determined to make as big a splash on the big-screen as she did in the world's most popular syndicated TV series. Set in the year 2017 when the Second Civil War is in full force, this sci-fi action thriller stars Pam in the title role--a leather-clad biker babe ("don't call me babe," she warns) who runs a nightclub in the last free city in America. The rest of country is controlled by the "Congressional Directorate," a dictatorial superpower which suspects Barb of trafficking in black-market contraband. That gets her into plenty of trouble (and a lot of cleavage-revealing costumes), and ... well, if any of this sounds even vaguely familiar, it's because this comic book-inspired! movie is really just a shamelessly breast-enhanced variation ! on Ca sablanca, with Pam Anderson in the Bogart role. Taken for what it is, it's a brazen folly with action to spare, and as guilty pleasures go it's surprisingly enjoyable. What--you were expecting Oscar material? --Jeff Shannon SNAPDRAGON - DVD Movie

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Chicken Run

• Director's commentary with Peter Lord and Nick Park
• Red along to the hilarious script
• Two Fascinating Behind-the Scees Featurettes
• Two Egg-cellent Interactive Games.
• Desk Top Icons and Pets. Calculator and Saver

Having been hopelessly repressed and facing eventual certain death at the chicken farm where they are held, Rocky the rooster and Ginger the chicken decide to rebel against the evil Mr. and Ms. Tweedy, the farm's owners. Rocky and Ginger lead their fellow chickens in a great escape from the murderous farmers and their farm of doom. --Written by Cory BoothThere were a lot of disappointments in the 2000 summer movie season, but Chicken Run wasn't one of them. Made by Aardman Animations, which produced the Oscar-winning Wallace & Gromit shorts, this is a dazzling stop-motion animation film that is both deftly funny and surprisingly touching. The co! ncept is simple: The Great Escape--with chickens. But directors Peter Lord and Nick Park take it much further than that (and remember: there's a whole generation out there that has no idea who Steve McQueen is). Julia Sawalha voices Ginger, a plucky English hen who has been trying to escape from Tweedy's chicken farm, where the vicious Mrs. Tweedy (Miranda Richardson) fries up any chicken who doesn't produce enough eggs. When egg profits slump, Mrs. Tweedy decides to turn her farm into a chicken-pie factory, giving new urgency to Ginger's plan. Enter Rocky the Flying Rooster (Mel Gibson), a brash American who has escaped from a circus and promises to teach the chickens to fly to safety. The film is filled with innumerable visual touches and the animation has a tactile quality that makes you want to reach out and touch these funny fowl. Above all, it's played with intelligence, wit, and heart--a rare combination in any film. While Chicken Run is being marketed ! to a youth audience, it truly is a family film that operates o! n both a child and an adult level. It would be a shame if grownups skipped it because they thought it was strictly for kids. --Marshall Fine

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Dear Wendy

• Directed by Thomas Vinterberg (The Celebration) and written by Lars von Trier (Dogville), Dear Wendy is an audacious and stylish exploration of guns and violence in America. When a young loner named Dick (Jamie Bell) discovers a vintage handgun, he finds himself strangely drawn to it in spite of his pacifist views. Soon he forms a secret club with other misfits in his town who collect and revere a

Directed by Thomas Vinterberg (The Celebration) and written by Lars von Trier (Dogville), Dear Wendy is an audacious and stylish exploration of guns and violence in America. When a young loner named Dick (Jamie Bell) discovers a vintage handgun, he finds himself strangely drawn to it in spite of his pacifist views. Soon he forms a secret club with other misfits in his town who collect and revere antique guns and refer to themselves as "The Dandies." But despite their firm belief in the most importan! t Dandy rule of all - "never draw your weapons" - they eventually discover that some rules are meant to be broken.

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Black Knight

• TESTED

When a Medieval World theme park worker (Lawrence) is magically transported back to 14th century England, he must do battle with an evil king, deadly assassins - and really bad plumbing!In Black Knight, Martin Lawrence plays an amusement park employee who is magically transported back to medieval times and helps return a queen to her rightful throne (while learning some valuable lessons along the way). Despite the script's lack of logic and originality, Lawrence is an engaging performer, with a loose-limbed amiability that makes him most enjoyable company, even if he's not necessarily a better actor than most comedians. If Lawrence ever does a movie with a decent script, he might really have something; as it is we'll have to settle right now for the cheesy yet funny sight of Lawrence teaching a medieval band to play some Sly and Family Stone. --Bret FetzerWhen a Medieval ! World theme park worker (Lawrence) is magically transported back to 14th century England, he must do battle with an evil king, deadly assassins - and really bad plumbing!In Black Knight, Martin Lawrence plays an amusement park employee who is magically transported back to medieval times and helps return a queen to her rightful throne (while learning some valuable lessons along the way). Despite the script's lack of logic and originality, Lawrence is an engaging performer, with a loose-limbed amiability that makes him most enjoyable company, even if he's not necessarily a better actor than most comedians. If Lawrence ever does a movie with a decent script, he might really have something; as it is we'll have to settle right now for the cheesy yet funny sight of Lawrence teaching a medieval band to play some Sly and Family Stone. --Bret Fetzer

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