HeadOn - Apply Directly to Forehead Migraine Relief .2 oz (5.67 g)

• Head On Pain Reliever apply directly to the forehead.
• It is invisible and non greasy Homeopathic.
• It's can be used as often as needed.
• Safe to use with other medications.

HeadOn is one of the safest medications available on the market today. It can be used by anyone and as often as needed. There are no dosage restrictions or health risks associated with its use. See Drug Facts on product package.

Read more »

First Snow in the Woods: A Photographic Fantasy

• ISBN13: 9780977010868
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Guy Pearce (Memento, L.A. Confidential), Piper Perabo (Coyote Ugly) and JK Simmons (Thank You For Smoking, Spiderman 1-3) star in this intriguing thriller about a man whose life spins out of control after psychic tells him his days are numbered. After his car breaks down in a desolate town, a slick salesman, Jimmy Starks (Pearce), visits a fortune teller (Simmons) to kill some time. But the psychic’s ominous reading sends Jimmy’s life into a tailspin when he learns that his life will soon end, but he is safe at least, until the first snow of the season. Now, with his ultimate fate looming nearer, Jimmy becomes obsessed with revisiting his past in hopes of changing! his destiny before it’s too late. With a thriller as low-key as First Snow, dynamic acting is a must. Fortunately, Guy Pearce (Memento) owns the screen as slick salesman Jimmy Starks. In his first film, Oscar-nominated writer Mark Fergus (Children of Men) forgoes visual effects in favor of an increasingly complex narrative. As in many Stephen King novels, the story centers on the collision between a man of reason and a man of faith--in the supernatural, that is. The foreshadowing begins when Starks visits fortune teller Vacaro (J.K. Simmons, Spider-Man). Starks assumes he's a fellow hustler. Then his every prediction comes true. On a return trip, Vacaro tells him he'll be dead by first snow, but can't say how or when. Should Starks put his affairs in order, enjoy his time with girlfriend Deirdre (Piper Perabo), or just do nothing? Then again, snow seems unlikely for Albuquerque. Over the next few days, several possible culprits come to light, ! like Andy (Rick Gonzalez), an assistant Starks fired, and Vinc! e (Shea Wigham), a partner he sold down the river. Convinced one of them is going to seek revenge, Starks becomes so paranoid he opens the door to disaster. Fergus excels in keeping the tension at a low boil, but he undersells the climax. Still, it's a nice change from all the mysteries that build in intensity before collapsing in a heap of improbabilities. First Snow is rooted in the real world from the first frame to the last. --Kathleen C. Fennessy

The first snow has fallen.
The mice children go sledding
with Grandma and Grandpa.
But at the top of the hill,
who will go first?
Bitty, the smallest mouse,
is scared.
When she tries,

WHEEEEEE,

she finds that sledding is the best!

Caldecott Medalist Emily Arnold McCully captured the chills and thrills of a first sled ride when first snow was published in 1985. She has added words and created new pictures for this handsome larger edition, a compani! on to picnic.

KNOCKED OUT OF THE SKY BY A PASSING PLANE, SEAN HAS MISSED HISBIG FLIGHT SOUTH. BUT WINTER IS SCHEDULED TO ARRIVE ON TIME, SO THE LITTLE DUCK WILL HAVE TO PREPARE. LUCKILY, SEAN MEETS VOLEY,A GOODHEARTED FRIEND WHO TAKES SEAN UNDER HIS WING, TEACHING HIMHOW TO GATHER FOOD AND WARMTH AND STEER CLEAR OF THE CRAFTY FOX.The winter adventures of an errant young Irish duck who loses track of his family on their annual southbound flight make for a charming tale voiced in accents from the British Isles with appealing animation reminiscent of the Little Bear series. If our hero Sean were human, he would probably be diagnosed with Attention Deficit Disorder. But he's fowl, so his mother (Carol Kane) makes her own diagnosis: he's "a duck running amok." So it's no surprise when he strays from the family formation and gets knocked back to earth to face winter alone. He is ably tutored by a good-natured, riverdancing vole (Tim Curry) who imparts some handy survi! val wisdom before he hibernates. The last 10 minutes of this 2! 7-minute story are crammed with a series of short-lived perils involving a storm, a fox, and Sean's inability to find his parents as the ducks return in the spring. It all ends well, but very young and/or sensitive children may have a few anxious moments along the way. --Kimberly Heinrichs

Read more »

Alaska: A Novel

• ISBN13: 9780375761423
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

In this sweeping epic of the northernmost American frontier, James A. Michener guides us across Alaska’s fierce terrain, from the long-forgotten past to the bustling technological present, as his characters struggle for survival. The exciting high points of Alaska’s story, from its brutal prehistory, through the nineteenth century and the American acquisition, to its modern status as America’s thriving forty-ninth state, are brought vividly to life in this remarkable novel: the gold rush; the tremendous growth and exploitation of the salmon industry; the discovery of oil and its social and economic consequences; the difficult construction of the Alcan Highway, which made possible the defense of t! he territory in World War II. A spellbinding portrait of a human community struggling to establish its place in the world, Alaska traces a bold and majestic history of the enduring spirit of a land and its people.

Read more »

Basic

• DVD

An ex-Army ranger and DEA agent is brought in to investigate the disappearance of an Army Ranger Drill Instructor and a group of cadets.
Item Type: DVD Movie
Item Rating: R
Street Date: 02/03/04
Wide Screen: yes
Director Cut: no
Special Edition: no
Language: ENGLISH
Foreign Film: noSubtitles: no
Dubbed: no
Full Frame: no
Re-Release: no
Packaging: SleeveIf you thought The Recruit was full of surprises, Basic will spin your head around. Assuming that cleverness is its own reward, this military mystery shares many of The Recruit's strengths and weaknesses, offering multi-layered deception as its dramatic raison d'etre. Copping plenty of machismo attitude befitting a semi-effective thriller from Die Hard director John McTiernan, John T! ravolta stars as an ex-Army Ranger-turned-DEA agent, recruited by an Army investigator (Connie Nielsen) to solve the fratricide of a reviled Sergeant (Samuel L. Jackson) who was allegedly killed while commanding a Special Forces training mission in the hurricane-swept rainforests of Panama. Two survivors (Giovanni Ribisi in a showboat role, and Brian Van Holt) recall the ill-fated mission as the truth unfolds, Rashomon-style, in a series of repetitive flashbacks. Tricky enough to hold one's attention as it grows increasingly irrelevant, Basic is so enamored of its bogus ingenuity that its ultimate twist is a letdown. A second viewing might prove rewarding, if only to confirm that it all holds together. --Jeff Shannon

Read more »

Alien Autopsy

• ALIEN AUTOPSY (DVD MOVIE)

In 1995, mysterious top-secret black-and-white footage, supposedly filmed during the 1947 Roswell incident, was broadcast around the world. It showed the autopsy of an alien lifeform. The men responsible for the discovery of the footage, buddies Ray (Declan Donnelly) and Gary (Ant McPartlin), are thrown into intense media scrutiny. But the guys have an even bigger secret. And it’s not very pretty. Based on true events, Alien Autopsy is the alternately bizarre and frequently quirky story of the two unlikely lads from London who become icons in UFOlogy with a discovery that stunned millions who’ve long searched for evidence of extraterrestrial life. Bill Pullman (Spaceballs, Independence Day) and Harry Dean Stanton (Alien) join a cast of intriguing characters in the tale of the mystery that, in one sense at least, was truly out of this world.Alien Autopsy ! is one of the weirdest, most unnerving, and most hilarious small films in recent memory. It's a feature film that relates the story of the real-life blokes behind a controversial 1990s film that purported to show "hidden, government-censored footage" of an alien autopsy performed in Roswell, New Mexico, in 1947. (This feature film should not be confused with the quasi-documentary Alien Autopsy: Fact or Fiction?, which showed brief clips from the controversial film and which aired on American TV in the '90s.) This Alien Autopsy reenacts the scenario behind the original, and dubious, footage--a reenactment of a reenactment. In 1995 two Britons, Ray Santilli (Declan Donnelly) and Gary Shoefield (Ant McPartlin), claim they have possession of secret US government-shot film showing an autopsy conducted on an alien, handed to them by "an inside party." Alien Autopsy tells how Santilli and Shoefield get the interest of a fairly reputable film company and docume! ntary filmmaker (a world-weary, grizzled Bill Pullman), and ga! ther fin ancing to put together this shocking blockbuster. The only problem is, the original film is of terrible, unviewable quality. And then the fun begins. Santilli and Shoefield are completely unfazed and set about re-creating what they insist was on the film--with such zeal and abandon that it recalls Johnny Depp's performance as the schlock-meister title character in Tim Burton's delightful Ed Wood. The two are on a mission, and nothing will stop them. Donnelly and McPartlin have an easy, off-kilter chemistry because of their appearances on British TV. But even people who know them as "Ant and Dec" will appreciate their excellent performances in Alien Autopsy. (Accolades are also due Harry Dean Stanton, riveting in a pivotal supporting role.) Alien Autopsy is surprisingly suspenseful, and while viewers sometimes can't believe their eyes, they never want to stop watching. Alien Autopsy also includes some striking anachronisms--like Santilli's showing ! a skeptical film executive a Google search of his name, with more than 3 million hits. (Google wasn't started until 1998.) Touches like this give Alien Autopsy even more cheeky charm. The DVD comes with an excellent feature on the true back-story of Santilli and the footage, and how the filmmakers approached their task; deleted scenes and outtakes; and an engaging commentary by director Jonny Campbell. The truth may still be out there, but Alien Autopsy, in its own small way, seeks to shed light on one small mystery of the 1990s. --A.T. Hurley

Read more »

Blue Collar Comedy Tour

• A feature film version of America's hit comedy concert tour, "Blue Collar Comedy Tour - The Movie" stars renowned comedians Jeff Foxworthy and Bill Engvall and fellow Blue Collar comics Ron White and Larry The Cable Guy. The film features live stand-up performances filmed at Phoenix's Dodge Theater as well as behind-the-scenes sequences highlighting the individual comedians. The number one comedy

For the first time ever, all three Blue Collar Comedy Tour movies are available to own in one complete set!A feature film version of America's hit comedy concert tour, "Blue Collar Comedy Tour - The Movie" stars renowned comedians Jeff Foxworthy and Bill Engvall and fellow Blue Collar comics Ron White and Larry The Cable Guy. The film features live stand-up performances filmed at Phoenix's Dodge Theater as well as behind-the-scenes sequences highlighting the individual comedians. The number one comed! y tour of the last two years, The Blue Collar Comedy Tour has grossed more than $12 million to date and produced a best-selling live album, The Blue Collar Comedy Tour Live, released in November 2001.It had to happen: A national tour of redneck comedians culminating in this frequently funny concert film, shot in Phoenix. Ron White's scotch-and-tobacco-fueled, fatalistic world view gets things off to a good start. ("That last engine had just enough power to get us to our crash site.") Larry the Cable Guy's creepy-silly persona helps deliver a set long on gross-out humor. ("I've been seein' a good-lookin' girl. But now I lost my binoculars.") Bill Engvall balances the tone with his family-man shtick. ("There needs to be a teenage driver's lane lined with tires and mattresses.") Main event champ Jeff Foxworthy offers fresh material about the act of ice-fishing as an out-of-body experience for fish, describes the bizarre sight of a leaf blower among items confiscated by airport! security and, of course, renders his trademark re-re-re-defin! itions o f what constitutes a redneck ("a glorious absence of sophistication"). Lots to enjoy here. --Tom Keogh

Read more »

A Decade Under the Influence

• The 1970s was an extraordinary time of rebellion, and of questioning every accepted idea. As political activism, the sexual revolution, teh woman's movement, and the music revolution contributed to social unrest across the country, American cinema witnessed the emergence of a new generation of filmmakers. Galvanized by a new freedom of expression, these ground-breaking artists began targeting

The 1970s was an extraordinary time of rebellion. As political activism, the sexual revolution, the women's movement, and the music revolution contributed to social unrest across America, American cinema witnessed the emergence of a new generation of filHow did Hollywood make so many great, challenging, offbeat films in the 1970s? A Decade Under the Influence lists the reasons--or rather, lets the people who did the filmmaking list the reasons. The decade-shaping interviewees include Martin Scors! ese, Robert Altman, Francis Coppola, et al. The film's argument has actually been conventional wisdom for at least 10 years, but it's well-supported by an abundance of clips, which should inspire even hardcore film buffs to seek out rarities such as Thunderbolt and Lightfoot or The King of Marvin Gardens. One might observe that the scarcity of women directors or black filmmakers suggests that the decade was not entirely golden, and the memories may be burnished a bit by nostalgia. But there's no question that the big studios were far more adventurous back then, and this briskly moving survey gives a lively Film 101 lecture in exactly why. --Robert Horton

Read more »

The Black Swan

• Features include: -MPAA Rating: NR -Format: DVD-Runtime: 85 minutes

“You can’t tear your eyes away” (Entertainment Weekly) from this “wicked, psychosexual thriller” (Daily Variety) starring ACADEMY AWARD® WINNER Natalie Portman* and directed by Darren Aronofsky (The Wrestler ). Portman delivers “the performance of her career” (Vanity Fair ) as Nina, a stunningly talented but dangerously unstable ballerina on the verge of stardom. Pushed to the breaking point by her driven artistic director (Vincent Cassel) and the threat posed by a seductive rival dancer (Mila Kunis), Nina’s tenuous grip on reality starts to slip away â€" plunging her into a waking nightmare.Feverish worlds such as espionage and warfare have nothing on the hothouse realm of ballet, as director Darren Aronofsky makes clear in Black Swan, his over-the-top delve into a particularly fraught production of Swan Lake. At the very moment hard-working ballerina Nina (Natalie Portman) lands the plum role of the White Swan, her company director (Vincent Cassel) informs her that she'll also play the Black Swan--and while Nina's precise, almost virginal technique will serve her well in the former role, the latter will require a looser, lustier attack. The strain of reaching within herself for these feelings, along with nattering comments from her mother (Barbara Hershey) and the perceived rivalry from a new dancer (Mila Kunis), are enough to make anybody crack… and tracing out the fault lines of Nina's breakdown is right in Aronofsky's wheelhouse. Those cracks are broad indeed, as Nina's psychological instability is telegraphed with blunt-force emphasis in this neurotic roller-coaster ride. The characters are stick figures--literally, in the case of the dancers, but also as single-note stereotypes in the horror show: witchy bad mommy, sexually intimidating male boss, wacko d! iva (Winona Ryder, as the prima ballerina Nina is replacing). ! Yet the film does work up some crazed momentum (and undeniably earned its share of critical raves), and the final sequence is one juicy curtain-dropper. A good part of the reason for this is the superbly all-or-nothing performance by Natalie Portman, who packs an enormous amount of ferocity into her small body. Kudos, too, to Tchaikovsky's incredibly durable music, which has meshed well with psychological horror at least since being excerpted for the memorably moody opening credits of the 1931 Dracula, another pirouette through the dark side. --Robert Horton“You can’t tear your eyes away” (Entertainment Weekly) from this “wicked, psychosexual thriller” (Daily Variety) starring Academy Award® Winner Natalie Portman and directed by Darren Aronofsky (The Wrestler). Portman delivers “the performance of her career” (Vanity Fair ) as Nina, a stunningly talented but dangerously unstable ballerina on the verge of stardom. Pushed to the breaking point by! her driven artistic director (Vincent Cassel) and the threat posed by a seductive rival dancer (Mila Kunis), Nina’s tenuous grip on reality starts to slip away â€" plunging her into a waking nightmare.Feverish worlds such as espionage and warfare have nothing on the hothouse realm of ballet, as director Darren Aronofsky makes clear in Black Swan, his over-the-top delve into a particularly fraught production of Swan Lake. At the very moment hard-working ballerina Nina (Natalie Portman) lands the plum role of the White Swan, her company director (Vincent Cassel) informs her that she'll also play the Black Swan--and while Nina's precise, almost virginal technique will serve her well in the former role, the latter will require a looser, lustier attack. The strain of reaching within herself for these feelings, along with nattering comments from her mother (Barbara Hershey) and the perceived rivalry from a new dancer (Mila Kunis), are enough to make anybody crack! … and tracing out the fault lines of Nina's breakdown is rig! ht in Ar onofsky's wheelhouse. Those cracks are broad indeed, as Nina's psychological instability is telegraphed with blunt-force emphasis in this neurotic roller-coaster ride. The characters are stick figures--literally, in the case of the dancers, but also as single-note stereotypes in the horror show: witchy bad mommy, sexually intimidating male boss, wacko diva (Winona Ryder, as the prima ballerina Nina is replacing). Yet the film does work up some crazed momentum (and undeniably earned its share of critical raves), and the final sequence is one juicy curtain-dropper. A good part of the reason for this is the superbly all-or-nothing performance by Natalie Portman, who packs an enormous amount of ferocity into her small body. Kudos, too, to Tchaikovsky's incredibly durable music, which has meshed well with psychological horror at least since being excerpted for the memorably moody opening credits of the 1931 Dracula, another pirouette through the dark side. --Robert Hort! onTyrone Power and Maureen Oâ??Hara cross romantic swords in this epic OscarÂ(r)-winning* swashbuckler about a pirate determined to reform his thieving ways â?" after he steals one last heart!

Recently reformed pirate Jamie Boy (Power) is supposed to be helping the new Governor of Jamaica, Captain Morgan, rid the Caribbean of black-hearted buccaneers. But when Jamie falls head over keel for the heavenly â?" but hotheaded â?" Lady Margaret (Oâ??Hara), he gives caution the heave-ho, kidnaps Margaret and sets sail for the adventure of a lifetime! Packed with â??action, excitement, thundering guns and a maiden in distressâ? (Variety), this â??brawny, blood-curdlingâ? (Look Magazine) high-seas saga that remains a rollicking, â??timeless pleasureâ? (Los Angeles Times)! * Best Cinematography, Color: Leon Shamroy, 1942.

Read more »

United Cutlery UC2772 Expendables Kunai Thrower Set with Sheath, 3-Piece

• 12-Inch overall length
• Perfectly balanced
• AUS-6 stainless steel blade
• Cord wrapped handle
• Nylon belt sheath with leg strap and belt loop

United Cutlery - The Expendables Kunai Throwing Knife Set. Model: UC2772. Features three perfectly balanced throwing knives constructed of a single piece of black anodized steel. 12 overall. 6 1/2" double-edged blade. Black cord wrapped handle with finger hole. Custom black nylon sheath with boot clip and leg strap for multiple carrying options. Officially licensed.

Read more »