Lost in Translation

• Oscar for Best Original Screenplay
• A Conversation with Bill Murray and Sofia Coppola
• "Lost" on Location: Behind the Scenes Documentary
• "City Girl" Music Video by Kevin Shields
• Extended and Deleted Scenes and More

Bill Murray (Lost in Translation) stars in the comedic story of an aging Don Juan who hits the road on a revealing and humorous cross-country journey. When a mysterious pink letter informs Don Johnston (Murray) that he may have a 19-year-old son, he visits four former lovers, where he comes face to face with the errors of his past and the possibilities of the future. From acclaimed director Jim Jarmusch and co-starring Sharon Stone, Frances Conroy, Jessica Lange, Tilda Swinton, and Jeffrey Wright, Broken Flowers is the highly original comedy that Peter Travers of Rolling Stone says is "filled with wonderful mischief" and "brings out the best in Bil! l Murray." Starring: Bill Murray, Sharon Stone, Jessica Lange, Jeffrey Wright, Tilda Swinton, Frances Conroy, Julie Delpy, Mark Webber, Chloe Sevigny, Christopher McDonald, Alexis Dziena Directed by: Jim JarmuschBill Murray gives yet another simple, seemingly effortless, yet illuminating performance in Jim Jarmusch's Broken Flowers. Don Johnston (Murray, Lost in Translation, Rushmore) receives an anonymous letter telling him that he has a 19 year old son who's looking for him. Don only decides to investigate at the prompting of his neighbor Winston (the indispensable Jeffrey Wright, Shaft, Basquiat), who not only tracks down the current addresses of the possible mothers, he plans Don's entire trip down to the rental cars. Almost against his will, Don finds himself knocking at the doors of four very different women (Sharon Stone, The Quick and the Dead; Frances Conroy, Six Feet Under; Jessica Lange, Sweet Dreams; and T! ilda Swinton, The Deep End) who were once his lovers. P! art road movie, part detective story, part existential meditation, Broken Flowers is even more minimalist than most Jarmusch movies (Stranger Than Paradise, Dead Man, Mystery Train)--anyone looking for an easy resolution should look elsewhere. But for anyone willing to let a movie be a poem as much as a story--i.e., let it observe behavior without explaining it--Broken Flowers will offer a wealth of mysteries, gestures, and Bill Murray's soulful eyes. It's a movie that's wonderfully eloquent about what's not being said. --Bret FetzerBill Murray gives yet another simple, seemingly effortless, yet illuminating performance in Jim Jarmusch's "Broken Flowers". Don Johnston (Murray, "Lost in Translation", "Rushmore") receives an anonymous letter telling him that he has a 19 year old son who's looking for him. Don only decides to investigate at the prompting of his neighbor Winston (the indispensable Jeffrey Wright, "Shaft", "Basquiat"), who not on! ly tracks down the current addresses of the possible mothers, he plans Don's entire trip down to the rental cars. Almost against his will, Don finds himself knocking at the doors of four very different women (Sharon Stone, "The Quick and the Dead"; Frances Conroy, "Six Feet Under"; Jessica Lange, "Sweet Dreams"; and Tilda Swinton, "The Deep End") who were once his lovers. Part road movie, part detective story, part existential meditation, "Broken Flowers" is even more minimalist than most Jarmusch movies ("Stranger Than Paradise", "Dead Man", "Mystery Train")--anyone looking for an easy resolution should look elsewhere. But for anyone willing to let a movie be a poem as much as a story--i.e., let it observe behavior without explaining it--"Broken Flowers" will offer a wealth of mysteries, gestures, and Bill Murray's soulful eyes. It's a movie that's wonderfully eloquent about what's not being said. "--Bret Fetzer"Bill Murray gives yet another simple, seemingly effortless, y! et illuminating performance in Jim Jarmusch's Broken Flower! s. D on Johnston (Murray, Lost in Translation, Rushmore) receives an anonymous letter telling him that he has a 19 year old son who's looking for him. Don only decides to investigate at the prompting of his neighbor Winston (the indispensable Jeffrey Wright, Shaft, Basquiat), who not only tracks down the current addresses of the possible mothers, he plans Don's entire trip down to the rental cars. Almost against his will, Don finds himself knocking at the doors of four very different women (Sharon Stone, The Quick and the Dead; Frances Conroy, Six Feet Under; Jessica Lange, Sweet Dreams; and Tilda Swinton, The Deep End) who were once his lovers. Part road movie, part detective story, part existential meditation, Broken Flowers is even more minimalist than most Jarmusch movies (Stranger Than Paradise, Dead Man, Mystery Train)--anyone looking for an easy resolution should look elsewhere. But for any! one willing to let a movie be a poem as much as a story--i.e., let it observe behavior without explaining it--Broken Flowers will offer a wealth of mysteries, gestures, and Bill Murray's soulful eyes. It's a movie that's wonderfully eloquent about what's not being said. --Bret FetzerUniversal, Studios, Region 2 PAL 2005 106 minsBill Murray gives yet another simple, seemingly effortless, yet illuminating performance in Jim Jarmusch's Broken Flowers. Don Johnston (Murray, Lost in Translation, Rushmore) receives an anonymous letter telling him that he has a 19 year old son who's looking for him. Don only decides to investigate at the prompting of his neighbor Winston (the indispensable Jeffrey Wright, Shaft, Basquiat), who not only tracks down the current addresses of the possible mothers, he plans Don's entire trip down to the rental cars. Almost against his will, Don finds himself knocking at the doors of four very different w! omen (Sharon Stone, The Quick and the Dead; Frances Con! roy, Six Feet Under; Jessica Lange, Sweet Dreams; and Tilda Swinton, The Deep End) who were once his lovers. Part road movie, part detective story, part existential meditation, Broken Flowers is even more minimalist than most Jarmusch movies (Stranger Than Paradise, Dead Man, Mystery Train)--anyone looking for an easy resolution should look elsewhere. But for anyone willing to let a movie be a poem as much as a story--i.e., let it observe behavior without explaining it--Broken Flowers will offer a wealth of mysteries, gestures, and Bill Murray's soulful eyes. It's a movie that's wonderfully eloquent about what's not being said. --Bret Fetzertitolo-broken flowersetichetta-decca (black and white)-n. dischi1data23 novembre 2005supporto-cd audiogenere-pop e rock internazionalecolonne sonore-----brani-1.the greenhornes with holly golightly - there is an endascolta2.mulatu astatke - yegelle tezetaascolta3.the tennors - ride yo! ur donkeyascolta4.marvin gaye - i want youascolta5.mulatu astatke - yekermo sewascolta6.brian jonestown massacre - not if you were the last dandy on earthascolta-7.holly golightly - tell me now so i knowascolta8.mulatu astatke - gubelyeascolta9.dopesmoker - sleepascolta10.oxford camerata - requiem, op.48 by gabriel fauriascolta11.dengue fever - ethanopiumascolta12.the greenhornes - unnaturalWill this soundtrack do for Ethiopian composer and musician Mulatu Astatke what Titanic did for Celine Dion? Well...maybe on a much, much smaller scale. Astatke's circle of Western fans has already expanded thanks to the compilation Ethiopiques, Vol. 4: Ethio Jazz & Musique Instrumentale, 1969-¬1974, and Jim Jarmusch's movie puts his hypnotic instrumentals to great use. This isn't surprising, since Jarmusch is a filmmaker with a natural affinity for music and its use onscreen. Here, a three-minute excerpt from stoner-rock legend Sleep's titanic "Dopesmoker" only offers a s! ample of the song (it actually lasts an hour) but it still sou! nds awes ome, especially stuck between an Astatke track and Gabriel Fauré's "Requiem, Op. 48 (Pie Jesu)." Garage vets the Greenhornes and Holly Golightly contribute tracks together and separately, while indie-rockers Brian Jonestown Massacre's "Not If You Were the Last Dandy on Earth" (an answer song to the Dandy Warhols' "Not If You Were the Last Junkie on Earth") sounds as bilious now as it did in 1997. This is a rare case of a soundtrack that pulls together a broad range of artists yet remains oddly consistent--no doubt because it was assembled by a director with vision instead of a focus group. --Elisabeth Vincentelli

Bill Murray (Actor), Scarlett Johansson (Actor), Sofia Coppola (Director) | Rated: R | Format: DVD

• # DVD Release Date: May 3, 2009
• # Run Time: 104 minutes

Like a good dream, Sofia Coppola's Lost in Translation envelops you with an aura of fantastic light, moody sound, head-turning love, and a feeling of déjà vu, even th! ough you've probably never been to this neon-fused version of Tokyo. Certainly Bob Harris has not. The 50-ish actor has signed on for big money shooting whiskey ads instead of doing something good for his career or his long-distance family. Jetlagged, helplessly lost with his Japanese-speaking director, and out of sync with the metropolis, Harris (Bill Murray, never better) befriends the married but lovelorn 25-year-old Charlotte (played with heaps of poise by 18-year-old Scarlett Johansson). Even before her photographer husband all but abandons her, she is adrift like Harris but in a total entrapment of youth. How Charlotte and Bill discover they are soul mates will be cherished for years to come. Written and directed by Coppola (The Virgin Suicides), the film is far more atmospheric than plot-driven: we whiz through Tokyo parties, karaoke bars, and odd nightlife, always ending up in the impossibly posh hotel where the two are staying. The wisps of bittersweet lonel! iness of Bill and Charlotte are handled smartly and romantical! ly, but unlike modern studio films, this isn't a May-November fling film. Surely and steadily, the film ends on a much-talked-about grace note, which may burn some, yet awards film lovers who "always had Paris" with another cinematic destination of the heart. --Doug Thomas

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Charlie's Angels [Blu-ray]

• Condition: New
• Format: Blu-ray
• AC-3; Color; Dolby; Dubbed; Subtitled; Widescreen

THE ANGELS INVESTIGATE A SERIES OF MURDERS THAT OCCUR AFTER THE THEFT OF A WITNESS PROTECTION PROFILE DATABASE. THEIR PRIME SUSPECTS? A FALLEN ANGEL (MOORE) WHO WAS ONCE THEIR ALLY ANDTHE CREEPY THIN MAN (GLOVER).Charlie's Angels: Full Throttle is a big, fun, bubble-brained mess of a movie, and that's exactly as it should be. Its popular 2000 predecessor got the formula right: gorgeous babes, throwaway plots, and as many current pop-cultural trends as you could stuff into a candy-coated dollop of Hollywood mayhem. This sequel goes one "better": The plot's even more disposable (if that's possible), the babes, cars, and fashions even more outlandish, and the stuntwork (heavily digital, heavily absurd) reaches astonishing heights of cartoon silliness. Reprising their titular (and shamelessly t! itillating) roles, Cameron Diaz, Drew Barrymore, and Lucy Liu are having the time of their lives, especially when sparring with ultra-buff rogue angel Demi Moore (looking better at 40 than most women half her age) and Justin Theroux as a sleazy Irish mobster. Bernie Mac replaces Bill Murray as angel-sidekick Bosley (they're step-brothers, don'cha know), which is one more indication of McG's intentionally reckless stewardship of an intentionally reckless franchise. Our advice: sit back, relax, and get jiggly with it. --Jeff ShannonSexy Angels are back to go head-to-head with Angel-Gone-Bad! Aided by trusty sidekick Bosley, these hot and heavenly beauties really kick butt to reclaim rings encrypted with information about every person in the Federal Witness Protection Program! Sizzling with attitude, they put the pedal to the metal to launch a do-or-die thrill ride that never slows down!Charlie's Angels: Full Throttle is a big, fun, bubble-brained mess of a movie! , and that's exactly as it should be. Its popular 2000 predece! ssor got the formula right: gorgeous babes, throwaway plots, and as many current pop-cultural trends as you could stuff into a candy-coated dollop of Hollywood mayhem. This sequel goes one "better": The plot's even more disposable (if that's possible), the babes, cars, and fashions even more outlandish, and the stuntwork (heavily digital, heavily absurd) reaches astonishing heights of cartoon silliness. Reprising their titular (and shamelessly titillating) roles, Cameron Diaz, Drew Barrymore, and Lucy Liu are having the time of their lives, especially when sparring with ultra-buff rogue angel Demi Moore (looking better at 40 than most women half her age) and Justin Theroux as a sleazy Irish mobster. Bernie Mac replaces Bill Murray as angel-sidekick Bosley (they're step-brothers, don'cha know), which is one more indication of McG's intentionally reckless stewardship of an intentionally reckless franchise. Our advice: sit back, relax, and get jiggly with it. --Jeff ShannonThree! beautiful private detectives who work for a suave playboy boss are called in to rescue soon-to-be billionaire software mogul Eric Knox, when he is kidnapped from his office at Knox Technologies. While rough-and-tumble Alex, wild-child Dylan, and nerdy Natalie use an impressive array of high-tech gadgetry and martial arts moves to retrieve Knox from the clutches of rival Roger Corwin and his goons, they unwittingly become embroiled in a battle to protect the world from a wide-scale invasion of privacy that threatens to occur when good technology falls into the hands of bad people.For every TV-into-movie success like The Fugitive, there are dozens of uninspired films like The Mod Squad. Happily--and surprisingly--this breezy update of the seminal '70s jiggle show falls into the first category, with Cameron Diaz, Drew Barrymore (who also produced), and Lucy Liu starring as the hair-tossing, fashion-setting, kung fu-fighting trio employed by the mysterious Charl! ie (voiced by the original Charlie, John Forsythe). When a hig! h-tech p rogrammer (Sam Rockwell) is kidnapped, the angels seek out the suspects, with the daffy Bosley (Bill Murray in a casting coup) in tow. A happy, cornball popcorn flick, Charlie's Angels is played for laughs with plenty of ribbing references to the old TV show as well as modern caper films like Mission: Impossible. McG, a music video director making his feature film debut (usually a death warrant for a movie's integrity), infuses the film with plenty of Matrix-style combat pyrotechnics, and the result is the first successful all-American Hong Kong-style action flick. Plenty of movies boast a New Age feminism that has their stars touting their sexuality while being their own women, but unlike something as obnoxious as Coyote Ugly, Angels succeeds with a positive spin on Girl Power for the new millennium (Diaz especially sizzles in her role of crack super agent/airhead blonde). From the send-up of the TV show's credit sequence to the outtak! es over the end credits, Charlie's Angels is a delight. --Doug Thomas

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The Horse Whisperer

• After a devastating riding accident, a young girl and her beloved horse are both left with serious physical and emotional scars. Determined to help, the girl s desperate mother (Thomas) puts her busy, big-city life on hold and travels west to seek out the "Horse Whisperer." When she meets this, rugged, down-to-earth rancher (Redford), she discovers his extraordinary gift with animals also touches

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Genre: Soundtracks & Scores
Media Format: Compact Disk
Rating:
Release Date: 7-APR-1998Soundtracks can sometimes be disjointed affairs, lacking the cohesion necessary to create a mood when collecting songs from various artists. This is a pitfall the soundtrack from the forthcoming film The Horse Whisperer melodically and artfully avoids. From the first honest, unsentimental notes of Dwight Yoakam's "Cattle Call" you are taken ! wholeheartedly onto this wide-open prairie of soulful, plaintive music. The Horse Whisperer soundtrack is a fluid, coherent gathering of the most literate and distinctive voices in country music today, including Emmylou Harris, Steve Earle, Lucinda Williams, Gillian Welch, The Mavericks, Iris DeMent, and The Hill Country Flatlanders (featuring original Flatlanders Jimmie Dale Gilmore, Butch Hancock, and Joe Ely). This spare, haunting ensemble of wistful twangs and hopeful hearts is a must-have for any country collection. --Dominique D'Anna

#1 NEW YORK TIMES BESTSELLER

His name is Tom Booker. His voice can calm wild horses, his touch can heal broken spirits. And Annie Graves has traveled across a continent to the Booker ranch in Montana, desperate to heal her injured daughter, the girl’s savage horse, and her own wounded heart. She comes for hope. She comes for her child. And beneath the wide Montana sky, she comes to him for what no! one else can give her: a reason to believe.

The Horse W! hisperer is a story made in Hollywood heaven. The novel was written by a first-time author, and the film option was snapped up by aging heartthrob Robert Redford for 3 million smackers. Why take such risks on a brand-spanking-new author? The answer becomes clear upon reading the touching tale.

One morning while teenage Grace Maclean is riding Pilgrim, her goofy, loveable pony, she has a horrendous glass-shattering, bone-splintering, ligament-lynching meeting with a megaton truck that leaves her and her four-legged friend damaged in mind, body, and spirit. Meanwhile, back at the ranch, her jaded, brilliant, bitchy mom, Annie Graves (Kristin Scott Thomas in the 1998 film) is working out a wrinkle in her self-absorbed existence when she gets a call at her plush, Manhattan office about Grace's accident. Racked with guilt, Graves makes it her calling to find the mythical horse whisperer, an equine Zen master who has the ability to heal horses (and broken souls) w! ith soothing words and a gentle touch. Just when it seems he can't be found, what do you know, she finds him. He arrives in the form of Tom Booker-- a rugged, sensitive, dreamy cowboy who helps Pilgrim and Grace repair their fractured selves. To add more mesquite to fire, Booker has a way with not-so-injured, attractive, married women--like Annie. As the plot thickens, so does the familial strife, which threatens to undo Booker's healing work.

Like an expert cinematographer, Evans deftly crafts each scene with precision and clarity, sprinkling in ominous signs and foreboding images. For example, in the opening paragraphs, as Annie starts out on the tragic ride, she comes across a bloody bird wing that seems to have fallen out of nowhere. The weight of impending doom is further strengthened by the truck driver's bad luck--he has a run-in with the highway patrol just moments before his meeting with Grace and Pilgrim. These not-so-subtle subliminal messages ! are masterfully stitched in throughout the story and may comp! el reade rs to act as if they were watching a B-grade horror movie, shouting aloud, "Don't go there!" However sentimental, The Horse Whisperer is an engaging read, sort of like a finely tuned, well-edited film. --Rebekah WarrenAcademy Award(R)-winner Robert Redford (Best Director, 1980, ORDINARY PEOPLE) stars with Adademy Award(R)-nominee Kristin Scott Thomas (Best Actress, 1996, THE ENGLISH PATIENT) in this landmark epic adapated from one of the most acclaimed novels of our time! After a devastating riding accident, a young girl and her beloved horse are both left with serious physical and emotional scars. Determined to help, the girl's desperate mother (Thomas) puts her busy, big-city life on hold and travels west to seek out the "Horse Whisperer." When she meets this rugged, down-to-earth rancher (Redford), she discovers his extraordinary gift with animals also touches the lives of the people around him! Featuring Hollywood favorites Sam Neill (JURASSIC PARK) and! Oscar(R)-winner Dianne Wiest (Best Supporting Actress, 1994, BULLETS OVER BROADWAY) in a superb cast -- critics and moviegoers alike were captivated by this powerful motion picture event!Although it's best viewed on a big theatrical screen to take full advantage of Robert Richardson's breathtaking widescreen cinematography, it seems likely that most people will see this classy romance in the comfort of their own homes. Adapted from the bestseller by Nicholas Evans and directed by Robert Redford, the film did respectable business at the box-office, but it was too sprawling and too soapy to be a bona fide hit. Redford stars as the title character, a Montana rancher named Tom Booker, who possesses the specialized talent of healing traumatized horses through careful and affectionate rehabilitation. He gets his most challenging case when he's sought out by a fast-lane New York magazine editor (Kristin Scott Thomas, in a role modeled after former New Yorker editor Tina Br! own) whose daughter (Scarlett Johansson) was injured and traum! atized b y an accident that nearly killed her favorite horse. When mother, daughter, and horse arrive at Booker's ranch, the big-city editor falls in love with the serene rancher and faces the painful decision of whether to stay in Montana or return to her husband (Sam Neill) in New York. Some may find this to be much ado about nothing, and comparisons to The Bridges of Madison County are inevitable, but Redford's directorial approach offers the kind of graceful stature, tenderness, and intelligence required to elevate the simple story. The film takes all the time it needs to let its characters heal and make their important decisions, and that alone makes it a refreshing alternative to the frantic pace of most big-studio productions. --Jeff Shannon

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The Burning Plain: The Shooting Script (Newmarket Shooting Script)

• ISBN13: 9781557048264
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

A major figure in the history of post-Revolutionary literature in Mexico, Juan Rulfo received international acclaim for his brilliant short novel Pedro Páramo (1955) and his collection of short stories El llano en llamas (1953), translated as a collection here in English for the first time. In the transition of Mexican fiction from direct statements of nationalism and social protest to a concentration on cosmopolitanism, the works of Rulfo hold a unique position. These stories of a rural people caught in the play of natural forces are not simply an interior examination of the phenomena of their world; they are written for the larger purpose of showing the actions of humans in broad terms of reality.St! ill reeling after the death of his former lover, criminal defense lawyer Henry Rios unwisely falls for a young actor whom he had successfully defended on trumped-up burglary charges.

But just hours after a date with Rios, the man is brutally murdered--and the trail of circumstantial evidence leads an unscrupulous police detective to Rios' doorstep.  And when a second young man, and then a third, are found dead, Rios must fight not only to exonerate himself, but to save his very life.

Embroiled in his own investigation of the case, Rios exposes an intricate web of blackmail, betrayal, corruption, and violence--a conspiracy that reaches from the Los Angeles criminal courthouse to the studio lots to the mayor's office.  And in the end, Rios knows that one more murder won't make a difference to anyone....Michael Nava has garnered critical and popular acclaim for his mystery stories featuring gay Mexican American detective/lawyer Henry Rios. In the 1996 Th! e Death of Friends Rios's best friend was brutally murde! red. In The Burning Plain, Rios, still recovering from his loss, has taken up with a young man who is also murdered shortly after leaving his home. The police are initially suspicious of Rios, a situation that grows increasingly serious for him after two more young men are killed. Nava is an expert at combining plot and atmosphere, suspense and politics. Like P. D. James and Caleb Carr, Nava beautifully and thoughtfully writes "thinking persons" mysteries. The Burning Plain is that rare book: a cunning mystery and a serious novel.GradeSaver(TM) ClassicNotes are the most comprehensive study guides on the market, written by Harvard students for students! Longer, with more detailed summary and analysis sections and sample essays, ClassicNotes are the best choice for advanced students and educators. The Burning Plain and Other Stories note includes: * A biography of Juan Rulfo * An in-depth chapter-by-chapter summary and analysis * A short summary * A ch! aracter list and related descriptions * A list of themes * A glossary * Historical context * Two academic essays (if available) * 100 quiz questions to improve test taking skills!She was a girl as beautiful and innocent as her family's lush Caribbean plantationâ€"until she discovered the darkness of desire and became a woman. Expelled from paradise, Teresa Francis would be swept into marriage and the opulence of New York only to be drawn back to her island, where secrets can ignite explosions of political upheaval and clandestine love.

The official screenplay book to the directorial debut by independent film favorite Guillermo Arriaga (screenwriter of Babel and 21 Grams), starring Charlize Theron and Kim Basinger.

In this multilayered drama from screenwriter Guillermo Arriaga, a mother (Kim Basinger) and daughter (Charlize Theron) try to connect during the young woman’s difficult childhood, with devastating effects for all of t! heir loved ones.

The past and the present have a curiou! s way of affecting each other as several people separated by time and space discover: Mariana, a 16-year-old girl trying to put together the shattered lives of her parents in a Mexican border town; Sylvia, a woman in Portland who must undertake an emotional odyssey to burnish a sin from her past; Gina and Nick, a couple who must deal with an intense and clandestine affair; and Maria, a young girl who helps her parents find forgiveness and love. They will discover that their actions may mean the difference between life and death, as well as their own journeys into seeking redemptionÂ…and whether or not they will find it.

This book also includes an introduction by Arriaga, a color photo section, production notes, and the complete cast and crew credits.

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Air Bud (Special Edition)

• The original Bud that started it all is back in a Special Edition featuring an exclusive Dog-U-Commentary with the entire BUDDIES family. Buddy, the sensational real-life hoop hound with 22,000 career baskets under his collar, stars in this hilarious and touching Disney comedy critics cheered as irresistible family entertainment! When Josh Framm, a 12-year-old boy, finds himself in a new city with

Buddy, the sensational real-life hoop hound with 22,000 career baskets under his collar, stars in this hilarious and touching Disney comedy critics cheered as irresistible family entertainment! When Josh Framm, a 12-year-old boy, finds himself in a new city with no friends, he's too shy to try out for the basketball team. However, while practicing, he meets Buddy, a runaway golden retriever, who surprises him with his ability to score baskets. Josh and Buddy eventually make the school team, and the ! dog's extraordinary talents spark a media frenzy one that attracts Buddy's greedy former owner (Evening Shade's Michael Jeter), who wants to cash in on the dog's notoriety. Boy and dog must keep one step ahead of the brute while at the same time rallying their school team to the state finals! Get ready to be delighted, moved and amazed by Air Bud, a timeless Disney favorite.

Bonus Features:  Dog U Commentary With The Buddies, the Buddies Dish About The Story That Started It All, Original Theatrical Trailer
Stills from Air Bud: Special Edition (Click for larger image)

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