Blair Witch Project - Logo - Knit Hat

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In the fall of 1994, three student filmmakers, Heather Donahue, Joshua Leonard, and Michael Williams, ventured into the Black Hills of Maryland to investigate the legend of the Blair Witch. They never returned and to this day are still considered missing. However, one year after their disappearance, their footage was discovered. Directors Eduardo Sanchez and Gregg Hale edited the footage and released it as the movie titled The Blair Witch Project. As a companion to the movie, occult journalist D.A. Stern compiled this dossier, unearthing deeper mysteries surrounding the students' disappearance. It includes a full account of the case from a private investigator, polic! e reports, newspaper articles, student profiles, interviews with the students' families and friends, and the most revealing artifact--37 pages from Heather Donahue's journal. We also get a comprehensive history of the Blair Witch legend, complete with a copy of an 1823 newspaper article.

The hype surrounding The Blair Witch Project is a rare phenomenon in which a purely fictitious film (sorry to burst the occult lover's bubble, but there is no Blair Witch myth; and those missing filmmakers are actors who are alive and well) creates a legend in and of itself. The collected data found in this dossier lends more eerie authenticity to the whole affair. This is an outstanding compilation for its acute attention to detail and ability to enhance the mystery, which in the end is the real charm of this portfolio. --Samantha Allen StoreyBLAIR WITCH PROJECT - DVD MovieThe Blair Witch Project
Anyone who has even the slightest trouble with! insomnia after seeing a horror movie should stay away from The Bla ir Witch Project--this film will creep under your skin and stay there for days. Credit for the effectiveness of this mock documentary goes to filmmakers Daniel Myrick and Eduardo Sanchez, who armed three actors (Heather Donahue, Michael Williams, and Josh Leonard) with video equipment, camping supplies, and rough plot outlines. They then let the trio loose into the Maryland woods to improvise and shoot the entire film themselves as the filmmakers attempted to scare the crap out of them. Gimmicky, yes, but it worked--to the wildly successful tune of $130 million at the box office upon its initial release (the budget was a mere $40,000).

For those of you who were under a rock when it first hit the theaters, The Blair Witch Project tracks the doomed quest of three film students shooting a documentary on the Burkittsville, Maryland, legend of the Blair Witch. After filming some local yokels (and providing only scant background on the witch herself), the three, le! d by Heather (something of a witch herself), head into the woods for some on-location shooting. They're never seen again. What we see is a reconstruction of their "found" footage, edited to make a barely coherent narrative. After losing their way in the forest, whining soon gives way to real terror as the three find themselves stalked by unknown forces that leave piles of rocks outside their campsite and stick-figure art projects in the woods. (As Michael succinctly puts it, "No redneck is this clever!") The masterstroke of the film is that you never actually see what's menacing them; everything is implied, and there's no terror worse than that of the unknown. If you can wade through the tedious arguing--and the shaky, motion-sickness-inducing camerawork--you'll be rewarded with an oppressively sinister atmosphere and one of the most frightening denouements in horror-film history. Even after you take away the monstrous hype, The Blair Witch Project remains a g! enuine, effective original. --Mark Englehart

! Curse of the Blair Witch
Are you wondering just exactly who the Blair Witch was? What the Burkittsville, Maryland, legend was all about? Or what exactly fascinated student filmmaker Heather and what possibly took her, Mike, and Josh from this earth? Get all your background questions answered by Curse of the Blair Witch, a one-stop-shopping "documentary" originally produced for the Sci-Fi Channel as a tie-in marketing tool. Entirely fictionalized, Curse of the Blair Witch focuses both on the past and the present, with copious info on the Blair Witch myth as well as on the disappearance of Heather, Josh, and Mike. As it turns out, the original witch was one Elly Kedward, who was accused in 1785 of taking blood from several children; she was subsequently banished to the harsh winter woods and left for dead. Her grisly and bloody legacy involves missing children, polluted water, disemboweled men, and a serial killer of children who claims to have been haunted b! y "an old woman ghost." Aside from some ineffective "newsreel" footage of the serial killer, all this intriguing information is presented convincingly and chillingly. Curse may in fact freak you out more than the movie, and it evokes the great, pulpy In Search Of series of the '70s, one of the prime inspirations for filmmakers Daniel Myrick and Eduardo Sanchez. News clips of the search for Heather, Josh, and Mike lend a vérité atmosphere to the proceedings, but shed little light on their mysterious disappearance or their characters. Basically, it's a tease to go see the movie. Still, The Blair Witch Project provided only ever-so-slight information on the legend that haunted the forest, so you'll want this cleverly constructed mock documentary to supplement your knowledge of the film. --Mark EnglehartAnyone who has even the slightest trouble with insomnia after seeing a horror movie should stay away from The Blair Witch Project--this film! will creep under your skin and stay there for days. Credit fo! r the ef fectiveness of this mock documentary goes to filmmakers Daniel Myrick and Eduardo Sanchez, who armed three actors (Heather Donahue, Michael Williams, and Josh Leonard) with video equipment, camping supplies, and rough plot outlines. They then let the trio loose into the Maryland woods to improvise and shoot the entire film themselves as the filmmakers attempted to scare the crap out of them. Gimmicky, yes, but it worked--to the wildly successful tune of $130 million at the box office upon its initial release (the budget was a mere $40,000).

For those of you who were under a rock when it first hit the theaters, The Blair Witch Project tracks the doomed quest of three film students shooting a documentary on the Burkittsville, Maryland, legend of the Blair Witch. After filming some local yokels (and providing only scant background on the witch herself), the three, led by Heather (something of a witch herself), head into the woods for some on-location shooting. They'r! e never seen again. What we see is a reconstruction of their "found" footage, edited to make a barely coherent narrative. After losing their way in the forest, whining soon gives way to real terror as the three find themselves stalked by unknown forces that leave piles of rocks outside their campsite and stick-figure art projects in the woods. (As Michael succinctly puts it, "No redneck is this clever!") The masterstroke of the film is that you never actually see what's menacing them; everything is implied, and there's no terror worse than that of the unknown. If you can wade through the tedious arguing--and the shaky, motion-sickness-inducing camerawork--you'll be rewarded with an oppressively sinister atmosphere and one of the most frightening denouements in horror-film history. Even after you take away the monstrous hype, The Blair Witch Project remains a genuine, effective original. --Mark Englehart Japanese edition of the soundtrack to the hit 199! 9 horror film in special packaging for the initial pressing on! ly, a du otone cardboard slipcase box with an image of the forest the movie's three characters disappear in. The disc itself comes in a standard jewelcase & is an enhanced release with rare & exclusive film footage. Musically, it contains 12 haunting tracks by alternative acts of '80s & '90s. 1999 release.The soundtrack for a film with no music? Yes, it's true. Josh's Blair Witch Mix takes the high concept of "music inspired by the film" to new extremes: this is the mix tape found in Josh's car on the fateful night the "documentary" was filmed. Whatever the case, Josh's is filled with the doom-and-gloom sounds of vintage goth and industrial tracks and the occasional "scared silly" movie sound bites. It's a strong compilation with classic tunes by Lydia Lunch, P.I.L., Bauhaus, the Creatures, Front Line Assembly, and others. The included enhanced CD video snippet contains footage not found in the actual film. Ironic: one thing that makes The Blair Witch Pro! ject so believable is the fact that it lacks the typical clichéd horror-movie sound effects. Luckily, this "soundtrack" is far from clichéd and every bit as creative as its movie counterpart. The only thing creepier would be if Josh had been listening to a tape of smooth jazz.... --Jason VerlindeThe Stickman logo from Blair Witch Project shows up yet again, only this time it's on the front of this almost "heathered" black knit cap! Guaranteed to keep you warm on those cool nights in the woods!

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Hollywood Fashion Tape Cover Ups, Reusable Nipple Concealers 1 pair

• One reusable pair
• Hollywood CoverUps are re-usable, up to ten times or more!
• Perfect under t-shirts, sheer tops, dresses and swimwear
• The contour shape boasts a perfectly engineered tapered edge to give you that ultra-smooth appearance
• Self-adhesive silicone makes them comfortable as well as hypo-allergenic

When people from a culture largely defined by bollywood find themselves in an environment that is saturated with hollywood the result is a state of mind that celebrates these two seemingly disparate worlds. Studio: Arts Alliance America Release Date: 11/08/2005 Run time: 105 minutes Rating: Pg13Bollywood Hollywood is a delightful, cross-cultural parody of both India's and America's musical film traditions. Directed by Deepa Mehta (Earth), Bollywood Hollywood concerns the desperate effort of wealthy businessman Rahul (Rahul Khanna) ! to get his mother and grandmother off his back when it comes to his romantic life. In love with a white pop-star girlfriend (Jessica Paré), Rahul's fortunes change when she dies. Still grieving, he is told by his mother that Rahul's only sister won't be allowed to marry until he finds a nice Indian girl to wed. The solution: hire a beautiful, dark-skinned, allegedly Spanish escort named Sue (Lisa Ray) to pose as his Indian fiancée. With tongue firmly planted in cheek, Mehta pokes fun at a number of Bollywood cinema clichés, especially that familiar mix of modern luxury and old world traditions, melodramas involving the saddest of character backstories, and spontaneous musical numbers that remind one as much of Hollywood's Golden Age as Bollywood's current one. --Tom KeoghBollywood Hollywood is a delightful, cross-cultural parody of both India's and America's musical film traditions. Directed by Deepa Mehta (Earth), Bollywood Hollywood concerns! the desperate effort of wealthy businessman Rahul (Rahul Khan! na) to g et his mother and grandmother off his back when it comes to his romantic life. In love with a white pop-star girlfriend (Jessica Paré), Rahul's fortunes change when she dies. Still grieving, he is told by his mother that Rahul's only sister won't be allowed to marry until he finds a nice Indian girl to wed. The solution: hire a beautiful, dark-skinned, allegedly Spanish escort named Sue (Lisa Ray) to pose as his Indian fiancée. With tongue firmly planted in cheek, Mehta pokes fun at a number of Bollywood cinema clichés, especially that familiar mix of modern luxury and old world traditions, melodramas involving the saddest of character backstories, and spontaneous musical numbers that remind one as much of Hollywood's Golden Age as Bollywood's current one. --Tom Keogh

The film sequel is held to be a vampirish corporative exercise in profitmaking and narrative regurgitation. Drawing upon a wide range of filmic examples from early cinema to today, this unique volum! e follows the increasing popularity and innovation of film sequels as a central dynamic of Hollywood cinema. Now debuting at world cinemas and independent film festivals, the sequel has become a vehicle for cross-cultural dialogue and a structure by which memories and cultural narratives are circulated across geographical and historical locations. The book explores sequel production beyond box office figures, considering the form in recent mainstream cinema, art-house and "indie" films, and non-Hollywood sequels, and it traces the effects of the domestic market on sequelization and the impact of the video game industry on Hollywood.

Hollywood and Bollywood Flimstar Names For BabiesHollywood and Bollywood Flimstar Names For BabiesFrom the creators of the original Hollywood Fashion Tape
The stars' secret to a smooth appearance
Thin, smooth, nearly invisible!
Silicone & polyurethane
Because everyone has a little something to hide. ~ Patricia Jocelyn

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"I Love You Bigger Than The Sky" Wood'n Sign Black

• Distressed for an old look
• Handcrafted by us

A "charismatic" (The Atlanta Journal-Constitution) John Corbett ("Sex and the City") stars as a talented but immature actor who is forced to grow up when he finds he has a new rival...in romance. Amy Smart (Varsity Blues), Sean Astin (the Lord of the Rings trilogy) and Patty Duke (The Miracle Worker) co-star in this feel-good story of self-discovery. Mike (Corbett) only wants to perform in great productions. So when a clueless amateur (Marcus Thomas) is given the lead in Cyrano de Bergerac, Mike decides he must personally train him. But when real life begins to mimic the play's love triangle and his protégé falls for the girl Mike loves but can't commit to (Smart), suddenly it's Mike's turn to learn - not how to act, but how to live.

Disabled women challenge rigid, limiting views of what it means to be a disabled woman and parent. Th! ey describe having to fight for the right to become pregnant, the poignant pleasure of teaching children the benefits of having a "different" mother, and the sheer delight of involving themselves in a child's life.

A "charismatic" (The Atlanta Journal-Constitution) John Corbett ("Sex and the City") stars as a talented but immature actor who is forced to grow up when he finds he has a new rival in romance. Amy Smart (Varsity Blues), Sean Astin (the Lord of the Rings trilogy) and Patty Duke(The Miracle Worker) co-star in this feel-good story of self-discovery. Mike (Corbett) only wants to perform in great productions. So when a clueless amateur (Marcus Thomas) is given the lead in Cyrano de Bergerac, Mike decides he must personally train him. But when real lifebegins to mimic the play's love triangle and his protégé falls for the girl Mike loves but can't commit to (Smart), suddenly it's Mike's turn to learnnot how to act, but how to live!This sign is made from pine, ! and measures 3.5"H x 25"W. It reads "I Love You BIGGER Than Th! e Sky". The front is painted Black, sanded then distressed. Routered back for hanging

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Brooklyn Rules

• TESTED

A gripping tale of three life-long friends struggling with relationships, responsibility and loyalty on the mean streets of 1980 s-era Brooklyn, NY. When the violent influence of the mafia becomes a factor in their friendship, lives will be threatened as the fond memories of the past begin to give way to a potentially grim future.

Produced and directed by Michael Corrente (Outside Providence, American Buffalo) and written by Emmy Award Winning writer Terence Winter (The Sopranos)If Brooklyn Rules, a tale about a trio of good fellas making their way through the mean streets of that New York borough, just happens to remind you of the work of Martin Scorsese, you're not the only one. But even if it's not the most original film in cinematic history, director Michael Corrente's 2007 effort is entertaining enough to hold one's attention for most of its 99 minute running time! . Michael (Freddie Prinze Jr., who also supplies the voice-over narration), Bobby (Jerry Ferrara, Entourage's Turtle), and Carmine (Scott Caan, son of James) are the kind of punks who stole money from the church collection plate when they were Catholic schoolboys. Cut to the 1980s, when they're in their twenties, still close pals but following divergent paths: Michael, a smart, ambitious Columbia undergrad, plans to become a lawyer, while nerdy skinflint Bobby ("You're so cheap, if you saw a sign that said 'free slaps in the face,' you'd be the first in line," says Mike) hopes to land a gig at the post office, and the narcissistic Carmine is falling in with the wrong crowd, courtesy of Caesar Manganaro (Alec Baldwin), a captain in the Gambino crime family. Needless to say, conflicts ensue, as Michael scores a WASP girlfriend (an underused Mena Suvari), a mob war breaks out (based on real events, including the murder of big boss Paul Castellano and the ascension of Jo! hn Gotti), violence strikes tragically close to home, and the ! f-word i s employed liberally. Corrente does a nice job of evoking an era in which Billy Idol and Culture Club ruled the airwaves and Cabbage Patch Dolls were all the rage; and writer Terence Winter, a veteran of The Sopranos, has an ear for colorful, pithy dialogue ("That cardigan makes you look like the Italian Fred MacMurray"… "Depressed? She wouldn't be happy sitting in the lap of Jesus"). But a largely unsatisfying ending underscores the fact that Brooklyn Rules is nothing to go to the mattresses for. Extras including commentary by Corrente and Winter and a video accompanying the Rolling Stones' "Sympathy for the Devil," which is featured on the soundtrack. --Sam Graham

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Fish Bath Plug

• Universal size fits all plug holes
• Made from durable rubber
• Fishy fun fior bathtimes
• Place fish in plughole, run bath, relax and enjoy

Goldfish Memory is a light-hearted look at the dangers and delights of dating in contemporary Dublin. When Clara sees her boyfriend kissing Isolde, it sets off a chain reaction of romances and heartbreaks until the entire cycle has turned full-circle, with each character trying to solve the pressing question of what is the perfect relationship! Some favor marriage, others a week-at-a-time arrangement. The only thing they can all agree on is that love is the one thing we cannot live without. Falling in love, out of love and making the same mistakes all over again - all of us say we learn from heartbreak, but how many of us really change? And do we really want to? Packaged with CD.This is music from the critically acclaimed motion pictu! re--a romantic comedy about the dangers and delights of dating in contemporary Dublin, written and directed by Liz Gill. Includes new and previously unreleased songs by Damien Rice, Lisa Hannigan, The Frames, Sinead Lohan, and The Walls.

Day One
I swam around my bowl.

Day Two
I swam around my bowl. Twice.

And so it goes in this tell-all tale from a goldfish.

With his bowl to himself and his simple routine, Goldfish loves his life…until one day…

When assorted intruders including a hyperactive bubbler, a grime-eating snail, a pair of amorous guppies, and a really crabby crab invade his personal space and bowl, Goldfish is put out, to say the least. He wants none of it, preferring his former peace and quiet and solitude.

But time away from his new companions gives him a chance to rethink the pros and cons of a solitary life. And discover what he’s been missing.

Universal fish-shaped bath plug. Stuck is! what happens when Oscar gets too big for the fish tank, or th! e tub fo r that matter. The hilarious oversized goldfish may not swim, but when it comes to stopping water the universal plug is in a league of its own. The realistic color, texture and shape are sure to draw attention and inspire laughter. Rubber, metal, 2 1/2 x 2 1/2 x 3 1/2.

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Conventioneers

• Two former friends, one a Republican the other a Democrat, meet in New York during the Republican National Convention in this comedy romp. But when they begin an affair they both discover that their political differences may be too difficult to juggle. Format: DVD MOVIE Genre: DRAMA Rating: NR Age: 881394101920 UPC: 881394101920 Manufacturer No: CLS1019

Two former friends, one a Republican the other a Democrat, meet in New York during the Republican National Convention in this comedy romp. But when they begin an affair they both discover that their political differences may be too difficult to juggle.

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French Connection Women's Holiday Crochet Top, Blue, 2

• Slash neck
• Short sleeves

FRENCH CONNECTION/FRENCH CONNECTION 2 - DVD MovieHoliday crochet top

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School Daze

• New

HIGHER LEARNING - DVD MovieThis ambitious 1995 film by John Singleton (Boyz N the Hood) doesn't quite succeed at painting the illuminating, collective portrait of college life in the '90s that the director seeks. But Singleton does do a fine job of defining some conflicting impulses for young people on the cusp of adulthood, particularly the desire to broaden horizons on the one hand and circle the wagons with like-minded allies on the other. Students in the film's Columbus University divide themselves along lines of race, sexual preferences, ideology, and, most dangerously, levels of paranoia. Among the fine cast is Michael Rapaport, who portrays a loner drawn to a local community of neo-Nazis. His resultant problems with the school's African-Americans takes over the story at the expense of other, parallel dramas, but Singleton's insights into race hatred on campus--a microcosm of! the surrounding culture--is not to be dismissed. --Tom KeoghThis ambitious 1995 film by John Singleton (Boyz N the Hood) doesn't quite succeed at painting the illuminating, collective portrait of college life in the '90s that the director seeks. But Singleton does do a fine job of defining some conflicting impulses for young people on the cusp of adulthood, particularly the desire to broaden horizons on the one hand and circle the wagons with like-minded allies on the other. Students in the film's Columbus University divide themselves along lines of race, sexual preferences, ideology, and, most dangerously, levels of paranoia. Among the fine cast is Michael Rapaport, who portrays a loner drawn to a local community of neo-Nazis. His resultant problems with the school's African-Americans takes over the story at the expense of other, parallel dramas, but Singleton's insights into race hatred on campus--a microcosm of the surrounding culture--is not to be dismiss! ed. --Tom KeoghHIGHER LEARNING, BOYZ N THE HOOD, POETIC! JUSTICE This ambitious 1995 film by John Singleton (Boyz N the Hood) doesn't quite succeed at painting the illuminating, collective portrait of college life in the '90s that the director seeks. But Singleton does do a fine job of defining some conflicting impulses for young people on the cusp of adulthood, particularly the desire to broaden horizons on the one hand and circle the wagons with like-minded allies on the other. Students in the film's Columbus University divide themselves along lines of race, sexual preferences, ideology, and, most dangerously, levels of paranoia. Among the fine cast is Michael Rapaport, who portrays a loner drawn to a local community of neo-Nazis. His resultant problems with the school's African-Americans takes over the story at the expense of other, parallel dramas, but Singleton's insights into race hatred on campus--a microcosm of the surrounding culture--is not to be dismissed. --Tom KeoghHIGHER LEARNING - 3? Mini DVD for PHThis ambiti! ous 1995 film by John Singleton (Boyz N the Hood) doesn't quite succeed at painting the illuminating, collective portrait of college life in the '90s that the director seeks. But Singleton does do a fine job of defining some conflicting impulses for young people on the cusp of adulthood, particularly the desire to broaden horizons on the one hand and circle the wagons with like-minded allies on the other. Students in the film's Columbus University divide themselves along lines of race, sexual preferences, ideology, and, most dangerously, levels of paranoia. Among the fine cast is Michael Rapaport, who portrays a loner drawn to a local community of neo-Nazis. His resultant problems with the school's African-Americans takes over the story at the expense of other, parallel dramas, but Singleton's insights into race hatred on campus--a microcosm of the surrounding culture--is not to be dismissed. --Tom KeoghA NOT SO POPULAR YOUNG MAN WANTS TO PLEDGE TO A POPULAR F! RATERNITY AT HIS HISTORICALLY BLACK COLLEGE.Spike Lee's follow! -up to h is unlikely hit She's Gotta Have It was this ambitious--some would say too ambitious--attempt at a musical about college life. But Lee, ever the provocateur, doesn't settle for a simple college comedy. Rather, he wants to make a point about the social divisions within all-black colleges: between the socializers and the socially conscious, and between light and dark-skinned blacks. Laurence Fishburne plays a politically aware student trying to bring his fellow students together; Giancarlo Esposito plays the fraternity boss who constantly seeks to insert a wedge between the haves and have-nots. Lee himself plays a pawn in the middle, a would-be frat boy undergoing a wicked Hell Week as a pledge. The story doesn't pull together and the musical numbers--more spoof than anything else--only serve to fragment it. While it offers interesting points, it never does so in a particularly cohesive way. --Marshall Fine

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