American History X

• Edward Norton's Academy Award nominated role as a White Supremist who sees the error of his ways while jailed for murder. Unfortunately, he leaves prison to find his brother (Edward Furlong) heading down the same path.Running Time: 119 min. System Requirements: Directed by Tony Kaye Writing credits David McKenna Cast overview, first billed only: Edward Norton, Edward Furlong, Beverly D Angelo,

Edward Norton's Academy Award nominated role as a White Supremist who sees the error of his ways while jailed for murder. Unfortunately, he leaves prison to find his brother (Edward Furlong) heading down the same path.

DVD Features:
Biographies
Deleted Scenes
Filmographies
Interactive Menus
Production Notes
Scene Access
Theatrical Trailer

Perhaps the highest compliment you can pay to Edward Norton is that his Oscar-nom! inated performance in American History X nearly convinces you that there is a shred of logic in the tenets of white supremacy. If that statement doesn't horrify you, it should; Norton is so fully immersed in his role as a neo-Nazi skinhead that his character's eloquent defense of racism is disturbingly persuasive--at least on the surface. Looking lean and mean with a swastika tattoo and a mind full of hate, Derek Vinyard (Norton) has inherited racism from his father, and that learning has been intensified through his service to Cameron (Stacy Keach), a grown-up thug playing tyrant and teacher to a growing band of disenfranchised teens from Venice Beach, California, all hungry for an ideology that fuels their brooding alienation.

The film's basic message--that hate is learned and can be unlearned--is expressed through Derek's kid brother, Danny (Edward Furlong), whose sibling hero-worship increases after Derek is imprisoned (or, in Danny's mind, martyred) for the! killing of two black men. Lacking Derek's gift of rebel rheto! ric, Dan ny is easily swayed into the violent, hateful lifestyle that Derek disowns during his thoughtful time in prison. Once released, Derek struggles to save his brother from a violent fate, and American History X partially suffers from a mix of intense emotions, awkward sentiment, and predictably inevitable plotting. And yet British director Tony Kaye (who would later protest against Norton's creative intervention during post-production) manages to juggle these qualities--and a compelling clash of visual styles--to considerable effect. No matter how strained their collaboration may have been, both Kaye and Norton can be proud to have created a film that addresses the issue of racism with dramatically forceful impact. --Jeff Shannon

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The Dark Knight

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Why so serious? You should smile like the Joker does on this tee!

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2-Year SquareTrade Warranty plus Accident Protection for Kindle Fire, US customers only

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The Human Centipede

• HUMAN CENTIPEDE, THE (DVD MOVIE)

100% Medically accurate.
The compelling simplicity of Saw. The stylish dread of Eraserhead. The black humor of A Nightmare On Elm Street. Those are the benchmarks of horror that the outrageous Dutch film The Human Centipede matches. The plot is diabolically simple: two stranded American tourists are given shelter by a famed German doctor (a maniacally intense Dieter Laser) who made his fortune surgically separating conjoined twins. Now his mad genius is pushing the doctor to do the reverse. He tells the women that they will be surgically attached to a Japanese businessman mouth to buttocks, one after the other and thus will be born a new creature: the human centipede! Compellingly perverse, hilarious, and shockingly straightforward, Dutch director Tom Six s new film is hands-down the most memorable horror film of the year.Equal parts Cronenbergian body hor! ror, perverse fetish film, and E.C. Comics-style gross-out, The Human Centipede is Dutch director Tom Six's uniquely macabre endurance test for fans of modern fright fare. What's surprising about the picture isn't the premise--its story, about a madder-than-mad doctor (German actor Dieter Laser) who unites two American tourists (Ashley C. Williams and Ashlynn Yennie) and a Japanese counterpart (Akihiro Kitamura) in a hideous surgical procedure that creates the title monstrosity, was broadcast in detail across the Internet prior to its international theatrical screenings--but rather, the degree of reserve Six applies to depicting every excruciating detail. That's not to say that Human Centipede is a bloodless affair, but Six relies more on the physical endurance and talent of his actors to present the mortal terror of their predicament, which in turn offers a more terrifying experience for the viewer than anything dreamed up by a special effects team. The appro! ach also makes up for some of the more crassly exploitive mome! nts in t he film, like the doctor's relentless abuse of his creation, which is largely clad only in filthy underwear, and Laser's occasional overacting, which at its most heated, suggests an unholy, highly medicated hybrid of Klaus Kinski, Lance Henriksen, and the late Howard Vernon's awful Dr. Orlof. Obviously, this is not for the casual horror fan, and most definitely not for the squeamish; more hard-core types should find their nerves thoroughly rattled by the time the film reaches its darker-than-dark conclusion. A final, disturbing note: the complete title is The Human Centipede (First Sequence); a planned sequel reportedly promises a 12-segment (gulp) creation. --Paul Gaita

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Casino Jack and the United States of Money

• This portrait of Washington super-lobbyist Jack Abramoff, from his early years as a gung-ho member of the GOP political machine to his final reckoning as a disgraced, imprisoned pariah, confirms the adage that truth is indeed stranger than fiction.  A tale of international intrigue involving casinos, spies, sweatshops and mob-style killings, this is a story of the way money corrupts our polit

This portrait of Washington super-lobbyist Jack Abramoff, from his early years as a gung-ho member of the GOP political machine to his final reckoning as a disgraced, imprisoned pariah, confirms the adage that truth is indeed stranger than fiction. A tale of international intrigue involving casinos, spies, sweatshops and mob-style killings, this is a story of the way money corrupts our political process. Oscar®-winning filmmaker Alex Gibney illuminates the way politicians' desperate need to get
elec! ted and the millions of dollars it costs may be undermining the basic principles of American democracy. Infuriating, yet undeniably eye-opening and entertaining, CASINO JACK is a saga of greed and corruption with a cynical villain audiences will love to hate.As he proved in Enron: The Smartest Guys in the Room, Oscar-winning director Alex Gibney knows how to transform creative bookkeeping into compelling drama without dumbing things down. In his follow-up to Gonzo, a portrait of rabble-rouser Hunter S. Thompson, Gibney takes on disgraced GOP lobbyist Jack Abramoff (Stanley Tucci provides his voice in readings). Gibney begins with the Mob-style murder of a one-time associate before backtracking to Abramoff's days as chairman of the College Republicans, where he rubbed shoulders with Karl Rove and Ralph Reed--and impressed Ronald Reagan. Even as a student, however, there were signs of trouble as he laundered money through charities, a pattern he would repeat thr! oughout the decades, always on the lookout for new loopholes. ! Gibney p roceeds through his dealings with the Contras, an Angolan dictator, Saipan sweatshops, and Indian casinos (the debacle in Angola led him to produce the right-wing shoot-'em-up Red Scorpion). Along the way, Abramoff ensnared lawmakers and government officials in his web as they traded political favors for campaign financing. As Bob Ney's chief of staff, Neil Volz, puts it, Abramoff "could talk a dog off a meat truck." When his house of cards finally came crashing down, Reed, Ney, Volz, Tom DeLay, and numerous others fell with him (all but Reed appear in the film). As in his other documentaries, Gibney juices the action with music cues that keep things lively, even if some of his choices are a little too on the nose, like Howlin' Wolf's "Back Door Man." --Kathleen C. Fennessy

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Betsey Johnson Women's 2-Pack Psychadelic Crew Gift Box Socks, Cream Multi, One Size

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